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Les Siècles make their Lucerne Festival debut with a slightly uneven Poppe-Ligeti programme, at the heart of which Isabelle Faust nevertheless shines

Three concertos and a symphony made for an unusual but generous programme, but Les Siècles illustrate that versatility can come with mixed blessings. 

The BBC National Orchestra of Wales, conductor Ryan Bancroft and violinist Anthony Marwood deliver an evening of rapid gear-shifting, punchy momentum, dancing lyricism and mischief at Hoddinott Hall.

This final concert of the BBCSO’s Total Immersion day dedicated to György Ligeti, proved to be something a revelation, both in terms of the variety of the music and the quality of the performances.

Not even the BAFTAs going on next door offered the star quality on display in the QEH.

When news of the discovery of Stravinsky's Funeral Song reached the classical music world, a near-revolution of excitement took place.

Rossen Gergov conducts a Slavonic Dance sandwich with Haydn and Ligeti filling, Tasmin Little starring in the latter's Violin Concerto.

For last Sunday’s concert, conductor Michael Tilson Thomas and the San Francisco Symphony chose a programme with a distinctly Eastern European flavour spanning almost a century and a half. They began with Liszt’s Prometheus, an overture to a set of choral pieces Liszt wrote for a festival celebrating the life and works of German literary philosopher Gottfried von Herder in 1850.

L'Orchestre philharmonique de Strasbourg a donné son premier concert de l'année 2020 : magistralement interprété par Charlotte Juillard, le Concerto pour violon de Ligeti a précédé une admirable Symphonie n° 4 de Mahler.

Dans la salle Pierre Boulez de la Philharmonie, l'Ensemble Intercontemporain se lance avec brio dans quatre concertos de Ligeti.

Amsterdam hat ein neues Festival, dessen erste Edition György Ligeti gewidmet ist, und bei dem Pierre-Laurent Aimard im Mittelpunkt des Klavierkonzertes stand.