Buscador de artículos | Robert Gainer

Carlos Rizzi believes that Puccini’s orchestrations are good enough to stand alone, without their vocal lines, but can the drama compete with the romance of Respighi?

The CBSO present the work of three European émigré composers of the 1930s and 40s, who reimagined their musical influences with contrasting approaches and results.

In the CBSO Benevolent Fund concert, the orchestra tells the timeless story, set in Persia, of Scheherazade who, through her storytelling, brings about peace.

The CBSO’s Birmingham’s Town Hall matinee sets forth a curious mix of Baroque, Classical, and modern music, sandwiching a lesser-known concerto between some familiar tunes.

The City of Birmingham Symphony Orchestra greet an old friend and say farewell to another in a thoroughly absorbing all-Strauss programme. 

The overriding impression of Widmann’s return to Birmingham’s Symphony Hall is one of a man at complete ease and enjoying his music. 

Gemma New and Christian Tetzlaff deliver an intense programme of music depicting 20th-century tension and struggle, with the help of a flawless CBSO. 

WNO delivers a well-performed production of Mozart’s Magic Flute with some fresh ideas, but other which dilute it. 

Behzod Abduraimov impresses in Rachmaninov's evergreen Second Piano Concerto.

Kazuki Yamada returns to the CBSO with an ever-popular orchestral suite, an under-appreciated concerto, and a fabulous pianist in Alexandre Kantorow to play it. 

With two very well-known pieces, could Gabriela Montero, Gražintyė-Tyla and the CBSO find ways of keeping them interesting? The answer was a resounding ‘Yes’.