Unearthing New Zealand's lost art-song tradition

Por Simon Holden, 16 agosto 2022

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“a fascinating journey of discovery into New Zealand’s neglected musical history”

Crítica hecha desde Auckland Town Hall: Great Hall, Auckland el 14 agosto 2022

Kaihau, Akoako a Te Rangi

Mackay, Te Whenua Kura

Alexander, Maoriland Love Song

McBeth, All on a Summer's Day

Horne, A Requiem

Luscombe, Rondel: The Titoki Tree

Carey-Wallace, I Hurt My Love Today

Beauchamp, Love's Entreaty

Page, Your Grave Grey Eyes

Haydon, To Sleep

Aitkins, White in the Moon

Jensen, In the Fountain Court

Tintner, Frühling

Fuchs, In der Fremde

Schramm, Marschlied

Prentice, The Woodland Maid

Barnett, My Lady Passes

Rea, You're Nice

Grigg, My Own New Zealand Home

Oliver Sewell, Tenor

Catrin Johnsson, Mezzosoprano

Wade Kernot, Bajo

David Kelly, Piano

New Zealand Opera

Opening the doors of memory: a haunting Bluebeard’s Castle in Auckland

Simon Holden, 13th March

In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.

****1

Into the labyrinth: opera and community in The Monster in the Maze

Simon Holden, 19th September

Director Anapela Polata’ivao handles her mixed forces of amateurs and professionals with seamless assurance, the crowds’ movements across the stage showing both clarity and intent.

****1

Stunning direction elevates New Zealand Opera's La bohème

Simon Holden, 29th May

New Zealand Opera's new production impresses with its stunning set design and art direction, and its restrained emotional tone.

***11

Fine singing but messy staging: Le Comte Ory at New Zealand Opera

Simon Holden, 30th May

Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand.

***11

Blissful Mansfield Park in Auckland

Simon Holden, 21st April

Dove’s masterful adaptation, combined with an ebullient and characterful rendition by New Zealand Opera, make for a very effective and at times, very moving, afternoon at the opera.

*****

Gluck reimagined: (m)Orpheus in Auckland

Simon Holden, 6th September

Gareth Farr re-orchestrates Gluck in Neil Ieremia's imaginative reinterpretation of the Orpheus myth for New Zealand Opera.

****1

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Simon Holden

Simon is an operaphile based in Auckland, New Zealand. He wrote his dissertation on Japanese popular music. With a background in piano and classical music retail, he spends his time attending as much opera or vocal concert as he can and blogs at irishenceaway.blogspot.com.