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Timmy read musicology at Durham University, studying composition with Richard Rijnvos. He has written for Gramophone and The Spectator, and composes for both film and the concert hall. He has a special interest in contemporary choral music, and co-hosts The Classical Music Pod with Sam Poppleton, available on iTunes and Spotify. Follow him on twitter at @timmy_fisher.
En 2009, una serie de alarmantes revelaciones salieron a la luz, sacudiendo el Palau de la Música hasta lo más profundo. Diez años después, este caso único esta llegando a su final.
Weimar-era Germany was fertile ground for radical artists like Kurt Weill and Bertolt Brecht, but their mutual obsession with control proved too toxic for such a fragile partnership to last.
In the run up to Carl Craig’s collaboration with Chineke! at the Royal Albert Hall, we talk to the veteran techno DJ about classical music and his creative process.
Excellent performances of Scelsi's Uaxuctum and John Luther Adams' prescient Become Ocean were by accompanied by an impressive, but ultimately distracting audiovisual display.
