| sábado 06 febrero 2027 | 19:00 |
| martes 09 febrero 2027 | 19:00 |
| viernes 12 febrero 2027 | 19:00 |
| domingo 14 febrero 2027 | 16:00 |
| miércoles 17 febrero 2027 | 19:00 |
| viernes 19 febrero 2027 | 19:00 |
| domingo 21 febrero 2027 | 18:00 |
| viernes 26 febrero 2027 | 19:00 |
| domingo 28 febrero 2027 | 18:00 |
| martes 02 marzo 2027 | 19:00 |
| Komische Oper Berlin | |||
| Koen Schoots | Dirección | ||
| Barrie Kosky | Dirección de escena | ||
| Orchester der Komischen Oper Berlin | |||
| Chorsolisten der Komischen Oper Berlin | |||
| Jean-Christophe Charron | Dirección de coro | ||
| Carsten Lau | Bajo-barítono | Awram | |
| Matthias Spenke | Tenor | Awram | |
| Tim Dietrich | Bajo | Nachum | |
| Eberhard Krispin | Bajo | Nachum | |
| Karsten Küsters | Actor | Wachtmeister | |
| Ivan Turšić | Tenor | Fedja | |
| Saskia Krispin | Soprano | Schandel | |
| Cornelia Berner | Soprano | Schandel | |
| Rafaela Großkopf | The Fiddler on the Roof | ||
| Laura Kindt | The Fiddler on the Roof | ||
| Max Hopp | Barítono | Tevye | |
| Dagmar Manzel | Soprano | Golde | 2027 feb 06, 12, 14, 21, 26, 28 |
| Ruth Brauer-Kvam | Actor | Golde | 2027 feb 09, 17, 19, mar 02, 28 |
| Elisa Maayeshi | Soprano | Tzeitel | |
| Alma Sadé | Soprano | Hodel | |
| Katharina Thomas | Mezzosoprano | Chava | |
| Barbara Spitz | Voz | Yente | |
| Johannes Dunz | Tenor | Motel Kamzoil | |
| Nicky Wuchinger | Voz | Lazar Wolf | |
| Jan-Frank Süße | Bajo-barítono | Mordcha | 2027 feb 06, 09, 12, 14, 17, 19, 21, 26, 28, mar 02, 28 |
| Carsten Lau | Bajo-barítono | Mordcha | 2027 feb 06, 09, 12, 14, 17, 19, 21, 26, 28, mar 02, 28 |
| Peter Renz | Tenor | Rabbi | |
| Giacomo Schmidt | Barítono | Mendel | |
| Sigalit Feig | Mezzosoprano | Fruma-Sarah |
Fiddler on the Roof is woven into the DNA of the Komische Oper Berlin like few other musicals, with the first East German production under Walter Felsenstein performed an astonishing five hundred times. When Barrie Kosky revived the piece in 2017, the acclaim was immense. In its review, The New York Times wrote that ‘this is quite possibly the most convincing – and least embarrassingly cliché‑ridden – Fiddler imaginable’.
In the shtetl of Anatevka, life is lived strictly according to Jewish tradition. But the milkman Tevye struggles with it. And with his God. And with the stubborn hearts of his three eldest daughters – until pogroms threaten the life of the small village community…
Caught between humour and human suffering, Fiddler on the Roof presents one of the twentieth century’s most life-affirming tales of love, marriage, and misadventure.
Críticas de Fiddler on the Roof dirigida por Barrie Kosky
