| viernes 09 octubre 2026 | 19:30 |
| sábado 17 octubre 2026 | 19:30 |
| viernes 23 octubre 2026 | 19:30 |
| viernes 30 octubre 2026 | 19:00 |
| sábado 07 noviembre 2026 | 19:30 |
| viernes 13 noviembre 2026 | 19:30 |
| viernes 20 noviembre 2026 | 19:00 |
| viernes 04 diciembre 2026 | 19:00 |
| viernes 11 diciembre 2026 | 19:00 |
| miércoles 23 diciembre 2026 | 19:00 |
| Komische Oper Berlin | |||
| James Hendry | Dirección | ||
| Barrie Kosky | Dirección de escena | ||
| Rufus Didwiszus | Diseño de escena | ||
| Victoria Behr | Diseño de vestuario | ||
| Franck Evin | Diseño de iluminación | ||
| Orchester der Komischen Oper Berlin | |||
| Chorsolisten der Komischen Oper Berlin | |||
| Susanna Goldberg | Dramaturgia | ||
| Otto Pichler | Coreografía | ||
| Jean-Christophe Charron | Dirección de coro | ||
| Jonas Hacker | Tenor | Orphée | oct 09, 23, nov 20, dic 23 |
| Tansel Akzeybek | Tenor | Orphée | oct 17, 30, nov 07, 13, dic 04, 11, 28, 31 |
| Susan Zarrabi | Mezzosoprano | Cupidon | oct 09, 17, 23, 30, nov 07, dic 23, 31 |
| Alma Sadé | Soprano | Cupidon | nov 13, 20, dic 04, 11, 28 |
| Alma Sadé | Soprano | Diane | nov 07, dic 23, 31 |
| Elisa Maayeshi | Soprano | Diane | oct 09, 17, 23, 30, nov 13, 20, dic 04, 11, 28 |
| Juliana Zara | Soprano | Eurydice | |
| Max Hopp | Barítono | John Styx | |
| Karolina Gumos | Mezzosoprano | Junon | |
| Tom Erik Lie | Barítono | Jupiter | |
| Ulrike Helzel | Mezzosoprano | L'Opinion Publique | |
| Tim Dietrich | Bajo | Mars | |
| Caspar Krieger | Tenor | Mercure | |
| Ivan Turšić | Tenor | Pluton (Aristée) | |
| Mirka Wagner | Soprano | Venus |
Bored by her passionless marriage to the drab musician Orpheus, Eurydice prefers to amuse herself with Pluto, the lord of the underworld, and is—quite unlike her mythological model—more than happy to let herself be carried off to the realm of the dead. When Jupiter, the king of the gods, also learns of the beautiful mortal, a jocular competition for Eurydice’s favour ensues.
In this first major work by the ‘father of modern operetta’, rousing Parisian dance music meets orchestral virtuosity, culminating in the world-famous can-can. Offenbach’s mythological burlesque is carried by a playful ensemble of the highest calibre, ready to follow Max Hopp’s narration as they dive into a gaudy underworld. With Barrie Kosky’s production, an absolute audience favourite is onstage again at the Komische Oper Berlin.
Críticas de Orphée aux enfers (Orpheus in the Underworld) dirigida por Barrie Kosky
