| sábado 20 marzo 2027 | 19:30 |
| viernes 26 marzo 2027 | 19:30 |
| sábado 03 abril 2027 | 19:30 |
| miércoles 07 abril 2027 | 19:30 |
| viernes 16 abril 2027 | 19:30 |
| viernes 23 abril 2027 | 19:30 |
| viernes 30 abril 2027 | 19:30 |
| Komische Oper Berlin | ||
| George Petrou | Dirección | |
| Barrie Kosky | Dirección de escena | |
| Natacha Le Guen de Kerneizon | Diseño de escena | |
| Carla Teti | Diseño de vestuario | |
| Alessandro Carletti | Diseño de iluminación | |
| Orchester der Komischen Oper Berlin | ||
| Chorsolisten der Komischen Oper Berlin | ||
| David Cavelius | Dirección de coro | |
| Mingjie Lei | Tenor | Jupiter, Apollo |
| Sarah Brady | Soprano | Semele |
| Susan Zarrabi | Mezzosoprano | Ino |
| Daniel Noyola | Bajo | Somnus, High Priest |
| Nils Wanderer | Contratenor | Athamas |
| Alice Coote | Mezzosoprano | Juno |
| Philipp Meierhöfer | Bajo | Cadmus |
| Sarah Gilford | Soprano | Iris |
Handel’s music can move you to the core, all the more so when staged as movingly and convincingly as in Barrie Kosky’s production of Semele. He brings the Greek gods of Handel’s oratorio astonishingly close, showing them entangled in the very rules they themselves created, just as humans are.
Jupiter is captivated by the extraordinarily beautiful princess Semele, just as deeply as she is by the father of the gods. Nothing does she desire more than to behold him once in his true form. Only when he reveals himself in all his divinity can she feel herself his equal. The fire of her ambition, further fanned by Jupiter’s jealous wife Juno, leads her toward destruction. The mortal Semele proves defenceless against the searing blaze of Jupiter’s presence. She must perish, and Jupiter strides onward.
Críticas de Semele, HWV 58 dirigida por Barrie Kosky

