| viernes 09 abril 2027 | 19:00 |
| domingo 11 abril 2027 | 11:00 |
| sábado 07 agosto 2027 | 19:00 |
| martes 10 agosto 2027 | 19:00 |
| jueves 12 agosto 2027 | 19:00 |
| sábado 14 agosto 2027 | 19:00 |
| martes 17 agosto 2027 | 19:00 |
| jueves 19 agosto 2027 | 19:00 |
| El programa incluirá: | ||
| Obras de Puccini, Giacomo (1858-1924) | ||
| Puccini, Giacomo (1858-1924) | Gianni Schicchi | Libreto de Giovacchino Forzano |
| Attila Toronykőy | Dirección de escena | ||
| Balázs Fügedi | Diseño de escena | ||
| Katalin Juhász | Diseño de vestuario | ||
| Tamás Pillinger | Diseño de iluminación | ||
| Zsombor Czeglédi | Videoarte | ||
| István Dénes | Dirección | 2027 abr 09, 11 Matiné | |
| Levente Török | Dirección | 2027 ago 07, 10, 12, 14, 17, 19 | |
| Csaba Szegedi | Barítono | Gianni Schicchi | 2027 abr 09, 11 Matiné |
| Attila Mókus | Bajo-barítono | Gianni Schicchi | 2027 ago 07, 10, 12, 14, 17, 19 |
| Anija Lombard | Soprano | Lauretta | 2027 abr 09, 11 Matiné |
| Laura Topolánszky | Soprano | Lauretta | 2027 ago 07, 10, 12, 14, 17, 19 |
| Erika Gál | Mezzosoprano | Zita | 2027 abr 09, 11 Matiné |
| Andrea Szántó | Mezzosoprano | Zita | 2027 ago 07, 10, 12, 14, 17, 19 |
| Gergely Boncsér | Tenor | Rinuccio | 2027 abr 09, 11 Matiné |
| Barna Bartos | Tenor | Rinuccio | 2027 ago 07, 10, 12, 14, 17, 19 |
| Péter Balczó | Tenor | Gherardo | 2027 abr 09, 11 Matiné |
| Tibor Szappanos | Tenor | Gherardo | 2027 ago 07, 10, 12, 14, 17, 19 |
| Lilla Horti | Soprano | Nella | |
| Bence Pataki | Bajo | Betto di Signa | |
| Géza Gábor | Bajo | Simone | |
| Attila Dobák | Barítono | Marco | |
| Lusine Sahakyan | Mezzosoprano | La Ciesca | |
| Boldizsár Zajkás | Bajo | Maestro Spinelloccio, a doctor | |
| Zoltán Bátki Fazekas | Barítono | Amantio di Nicolao, a notary | |
| Dávid Dani | Barítono | Pinellino, a shoe designer | |
| Artúr Szeleczki | Tenor | Guccio, a fashion designer | |
| Hungarian State Opera Orchestra |
We can safely say that Gianni Schicchi is one of the most entertaining comic works of opera literature, which stands out even in the opera oeuvre of Giacomo Puccini with its wittiness. Ingenious moments chase one another both in the vocal and orchestral parts, and also through the text and the incredibly funny situations. Not many works dare to apply the black, nay morbid humour that allows the comical family intrigues enfold right next to the deathbed of a relative.
As part of our “Best of” series designed to satisfy those seeking greatest opera hits, Puccini’s most beautiful melodies are performed by the OPERA’s outstanding soloists, followed by the composer’s popular one-act – his only comic – opera full of intrigue and wonderful music.

