Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Dvořák

Josep Pons dirige a una OBC que llenó la tarde de imaginario sonoro folclórico como antesala a la inmersión en el siniestro cuento de Barbazul.

Christian Tetzlaff proves once again why audiences can’t get enough of his sound in a program of Dvořák and Schumann with Christoph Eschenbach at the helm.

Gustavo Dudamel led the New York Philharmonic in a program that featured a mildly disappointing Ives, a spectacularly successful new concerto, and an idiosyncratic take on Dvořák’s New World Symphony.

A deeply soulful musical adventure for a winter’s night from the Scottish Ensemble to celebrate their 50th anniversary

The opening of Stephen Hough's Brahms residency at Wigmore Hall has mixed results. 

Jakub Hrůša conducted the New York Philharmonic in a program of lesser-known works from well-loved composers. While Hrůša especially made the case for the Dvořák, the evening as a whole did not add up .

Kazushi Ono and LSO forces go with the flow in Janáček’s Glagolitic Mass after a relatively uninspiring first half.