| viernes 23 abril 2027 | 17:00 |
| sábado 24 abril 2027 | 11:00 |
| sábado 24 abril 2027 | 18:00 |
| domingo 25 abril 2027 | 11:00 |
| miércoles 28 abril 2027 | 18:00 |
| viernes 30 abril 2027 | 18:00 |
| sábado 01 mayo 2027 | 18:00 |
| domingo 02 mayo 2027 | 18:00 |
| martes 04 mayo 2027 | 18:00 |
| miércoles 05 mayo 2027 | 18:00 |
| El lago de los cisnes | Música: Chaikovskiï, Piotr Ilich (1840-1893) Coreografía: Toer van Schayk, Rudi van Dantzig |
| Hungarian National Ballet | |
| Péter Dobszay | Dirección |
| David Coleman | Dirección |
| Thomas Herzog | Dirección |
| Toer van Schayk | Diseño de escena, Diseño de vestuario |
| Jan Hofstra | Diseño de iluminación |
| Hungarian State Opera Orchestra | |
| Hungarian National Ballet Institute |
Tchaikovsky’s first ballet is the most beloved classical piece in ballet literature: while the hardships of love between a prince forced into marriage and a maiden enchanted into the form of a swan is one of the most charming Russian romantic fairy tales, the piece nevertheless failed at its original premiere in 1877. The choreographers creating the premiere were simply not equal to Tchaikovsky’s genius. It was Marius Petipa's and Lev Ivanov's choreography that brought fame for the piece and established a tradition, and most companies to this day still dance the piece following this blueprint. Rudi van Dantzig and Toer van Schayk revised this classic creative work in 1988. One of the work’s most striking technical challenges and at the same time its bravura is that Odette and Odile, the pure, innocent White Swan and the seductive, manipulative Black Swan, are performed by the same ballerina.

