| Friday 23 April 2027 | 17:00 |
| Saturday 24 April 2027 | 11:00 |
| Saturday 24 April 2027 | 18:00 |
| Sunday 25 April 2027 | 11:00 |
| Wednesday 28 April 2027 | 18:00 |
| Friday 30 April 2027 | 18:00 |
| Saturday 01 May 2027 | 18:00 |
| Sunday 02 May 2027 | 18:00 |
| Tuesday 04 May 2027 | 18:00 |
| Wednesday 05 May 2027 | 18:00 |
| Swan Lake | Music: Tchaikovsky, Pyotr Ilyich (1840-1893) Choreography: Toer van Schayk, Rudi van Dantzig |
| Hungarian National Ballet | |
| Péter Dobszay | Conductor |
| David Coleman | Conductor |
| Thomas Herzog | Conductor |
| Toer van Schayk | Set Designer, Costume Designer |
| Jan Hofstra | Lighting Designer |
| Hungarian State Opera Orchestra | |
| Hungarian National Ballet Institute |
Tchaikovsky’s first ballet is the most beloved classical piece in ballet literature: while the hardships of love between a prince forced into marriage and a maiden enchanted into the form of a swan is one of the most charming Russian romantic fairy tales, the piece nevertheless failed at its original premiere in 1877. The choreographers creating the premiere were simply not equal to Tchaikovsky’s genius. It was Marius Petipa's and Lev Ivanov's choreography that brought fame for the piece and established a tradition, and most companies to this day still dance the piece following this blueprint. Rudi van Dantzig and Toer van Schayk revised this classic creative work in 1988. One of the work’s most striking technical challenges and at the same time its bravura is that Odette and Odile, the pure, innocent White Swan and the seductive, manipulative Black Swan, are performed by the same ballerina.

