| Freitag 23 April 2027 | 17:00 |
| Samstag 24 April 2027 | 11:00 |
| Samstag 24 April 2027 | 18:00 |
| Sonntag 25 April 2027 | 11:00 |
| Mittwoch 28 April 2027 | 18:00 |
| Freitag 30 April 2027 | 18:00 |
| Samstag 01 Mai 2027 | 18:00 |
| Sonntag 02 Mai 2027 | 18:00 |
| Dienstag 04 Mai 2027 | 18:00 |
| Mittwoch 05 Mai 2027 | 18:00 |
| Schwanensee | Musik: Tschaikowsky, Peter Iljitsch (1840-1893) Choreografie: Toer van Schayk, Rudi van Dantzig |
| Hungarian National Ballet | |
| Péter Dobszay | Musikalische Leitung |
| David Coleman | Musikalische Leitung |
| Thomas Herzog | Musikalische Leitung |
| Toer van Schayk | Bühnenbild, Kostüme |
| Jan Hofstra | Licht |
| Hungarian State Opera Orchestra | |
| Hungarian National Ballet Institute |
Tchaikovsky’s first ballet is the most beloved classical piece in ballet literature: while the hardships of love between a prince forced into marriage and a maiden enchanted into the form of a swan is one of the most charming Russian romantic fairy tales, the piece nevertheless failed at its original premiere in 1877. The choreographers creating the premiere were simply not equal to Tchaikovsky’s genius. It was Marius Petipa's and Lev Ivanov's choreography that brought fame for the piece and established a tradition, and most companies to this day still dance the piece following this blueprint. Rudi van Dantzig and Toer van Schayk revised this classic creative work in 1988. One of the work’s most striking technical challenges and at the same time its bravura is that Odette and Odile, the pure, innocent White Swan and the seductive, manipulative Black Swan, are performed by the same ballerina.

