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Verdi: Il trovatoreNueva producción

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungría
Fechas/horas en zona horaria de Budapest
jueves 06 mayo 202718:00
sábado 08 mayo 202718:30
martes 11 mayo 202718:30
jueves 13 mayo 202718:30
domingo 16 mayo 202711:00
martes 18 mayo 202718:30
viernes 21 mayo 202718:30
domingo 23 mayo 202711:00
Programa
Verdi, Giuseppe (1813-1901)Il trovatoreLibreto de Salvatore Cammarano
Intérpretes
Hungarian State Opera
Martin RajnaDirección
Gergely KesselyákDirección de escena
Edit ZekeDiseño de escena
Rita VelichDiseño de vestuario
Tamás PillingerDiseño de iluminación
Hungarian State Opera Orchestra
Hungarian State Opera Chorus
Gábor CsikiDirección de coro
Michele KalmandyBarítonoIl conte di Luna2027 may 06, 16 Matiné, 18, 21, 23 Matiné
Simone PiazzolaBarítonoIl conte di Luna2027 may 08, 11, 13
Zsuzsanna ÁdámSopranoLeonora2027 may 06, 16 Matiné, 18, 21
Csilla BorossSopranoLeonora2027 may 08, 11, 13
Valentina PuskásSopranoLeonora2027 may 23 Matiné
Erika GálMezzosopranoAzucena2027 may 06, 16 Matiné, 18, 21, 23 Matiné
Anita RachvelishviliMezzosopranoAzucena2027 may 08, 11, 13
Boldizsár LászlóTenorManrico2027 may 06, 13, 16 Matiné, 18, 23 Matiné
Yusif EyvazovTenorManrico2027 may 08, 11, 21
András PalerdiBajoFerrando
Melinda HeiterMezzosopranoInes
Artúr SzeleczkiTenorRuiz

Giuseppe Verdi’s opera Il trovatore, one of his most successful works, was inspired by El trovador, the most successful play of the Spanish dramatist Antonio García Gutiérrez. The National Theatre already staged it in 1854, the year following its world premiere. Later, the Hungarian Royal Opera presented it in its year of inauguration, in 1884, at a time when – almost unbelievably – interest in the work had declined in other opera houses. Thanks to Arturo Toscanini’s revivals in 1902, however, the opera regained new strength to be a pillar of international opera repertoire. The wide-ranging melodrama offers an inexhaustible array of bizarre events: persecution, death at the stake, infanticide, jealousy, thirst for revenge, secrets, suicide, execution, fratricide… The heroes of Verdi’s popular opera endure an almost unimaginable earthly hell, created partly by fate but partly by their own desires and lust for vengeance. Following his popular Nabucco production, conductor-director Gergely Kesselyák once again presents another masterpiece of Italian opera that offers ever new interpretations on a more abstract, universal level wherein our souls, condemned to suffer in the depths of the hell we create ourselves, may take on the roles of Manrico, Luna, Leonora, or Azucena.

Verdi: Il trovatore