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Verdi: Il trovatoreNew production

Hungarian State Opera: AuditoriumAndrássy út 22, Budapest, Central Hungary, 1061, Hungary
Dates/times in Budapest time zone
Thursday 06 May 202718:00
Saturday 08 May 202718:30
Tuesday 11 May 202718:30
Thursday 13 May 202718:30
Sunday 16 May 202711:00
Tuesday 18 May 202718:30
Friday 21 May 202718:30
Sunday 23 May 202711:00
Programme
Verdi, Giuseppe (1813-1901)Il trovatoreLibretto by Salvatore Cammarano
Performers
Hungarian State Opera
Martin RajnaConductor
Gergely KesselyákDirector
Edit ZekeSet Designer
Rita VelichCostume Designer
Tamás PillingerLighting Designer
Hungarian State Opera Orchestra
Hungarian State Opera Chorus
Gábor CsikiChoirmaster / chorus director
Michele KalmandyBaritoneIl conte di Luna2027 May 06, 16 mat, 18, 21, 23 mat
Simone PiazzolaBaritoneIl conte di Luna2027 May 08, 11, 13
Zsuzsanna ÁdámSopranoLeonora2027 May 06, 16 mat, 18, 21
Csilla BorossSopranoLeonora2027 May 08, 11, 13
Valentina PuskásSopranoLeonora2027 May 23 mat
Erika GálMezzo-sopranoAzucena2027 May 06, 16 mat, 18, 21, 23 mat
Anita RachvelishviliMezzo-sopranoAzucena2027 May 08, 11, 13
Boldizsár LászlóTenorManrico2027 May 06, 13, 16 mat, 18, 23 mat
Yusif EyvazovTenorManrico2027 May 08, 11, 21
András PalerdiBassFerrando
Melinda HeiterMezzo-sopranoInes
Artúr SzeleczkiTenorRuiz

Giuseppe Verdi’s opera Il trovatore, one of his most successful works, was inspired by El trovador, the most successful play of the Spanish dramatist Antonio García Gutiérrez. The National Theatre already staged it in 1854, the year following its world premiere. Later, the Hungarian Royal Opera presented it in its year of inauguration, in 1884, at a time when – almost unbelievably – interest in the work had declined in other opera houses. Thanks to Arturo Toscanini’s revivals in 1902, however, the opera regained new strength to be a pillar of international opera repertoire. The wide-ranging melodrama offers an inexhaustible array of bizarre events: persecution, death at the stake, infanticide, jealousy, thirst for revenge, secrets, suicide, execution, fratricide… The heroes of Verdi’s popular opera endure an almost unimaginable earthly hell, created partly by fate but partly by their own desires and lust for vengeance. Following his popular Nabucco production, conductor-director Gergely Kesselyák once again presents another masterpiece of Italian opera that offers ever new interpretations on a more abstract, universal level wherein our souls, condemned to suffer in the depths of the hell we create ourselves, may take on the roles of Manrico, Luna, Leonora, or Azucena.

Verdi: Il trovatore