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MadridIl trovatore
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Verdi: Il trovatore
Nicola Luisotti; Francisco Negrín; Teatro Real; François López-Ferrer; Louis Désiré; Bruno Poet
NaplesAnita Rachvelishvili
Chaikovskiï, Rajmáninov, Taktakishvili, Tosti, Falla, Verdi, Saint-Saëns, Bizet, Cilea
Anita Rachvelishvili; Vincenzo Scalera
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Laurent Pelly’s Falstaff passes the Naples test with flying colours
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The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.
San Carlo’s Medea a clash of worlds in a neoclassical framework
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A new Medea at the Teatro di San Carlo presents three distinct visions – neoclassical in the pit, expressionistic on stage and conceptual in the direction – that never fully merge.
Héroïque Gioconda à l’Opéra national de Grèce
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L'opéra d’Amilcare Ponchielli ouvre de fort belle manière la saison athénienne, avec une mise en scène audacieuse et convaincante d'Oliver Mears et un beau plateau vocal.
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ParísSamson et Dalila
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Saint-Saëns: Samson et Dalila
Philippe Jordan; Damiano Michieletto; Opéra national de Paris; Paolo Fantin; Carla Teti; Alessandro Carletti; Orchestre de l'Opéra national de Paris
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In at the deep end: Anita Rachvelishvili
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Mezzo-soprano Anita Rachvelishvili reflects on her big break at La Scala and talks about the new Verdi roles she's been adding to her repertoire.