Bachtrack logo

Kasper Holten's cinematic Don Giovanni shines at the Canadian Opera Company

Gordon Bintner (Don Giovanni) and Mané Galoyan (Donna Anna)
© Michael Cooper
Paolo Bordogna (Leporello) and Gordon Bintner (Don Giovanni)
© Michael Cooper
Don Giovanni, Act 1 finale
© Michael Cooper
Simone McIntosh (Zerlina) and Gordon Bintner (Don Giovanni)
© Michael Cooper
Descargando, espere, por favor...
Ver la programación
“Mané Goloyan’s Donna Anna was sweetly sung with some stylish ornamentation in the big numbers”
Crítica hecha desde Four Seasons Centre for the Performing Arts, Toronto el 2 febrero 2024
Mozart, Don Giovanni
Canadian Opera Company
Johannes Debus, Dirección
Kasper Holten, Dirección de escena
Es Devlin, Diseño de escena
Anja Vang Kragh, Diseño de vestuario
Bruno Poet, Diseño de iluminación
Canadian Opera Company Orchestra
Canadian Opera Company Chorus
Amy Lane, Director de reposición
Gordon Bintner, Don Giovanni
Paolo Bordogna, Leporello
Mané Galoyan, Donna Anna
Anita Hartig, Donna Elvira
Simone McIntosh, Zerlina
Ben Bliss, Don Ottavio
Joel Allison, Masetto
Signe Fabricius, Coreografía
Canadian Opera Company’s Barber proves as fresh as ever
****1
Christopher Alden’s Rigoletto returns to Canadian Opera Company
***11
Canadian Opera's Orfeo returns elegant, restrained and very satisfying
*****
Canadian Opera Company opens season with Roméo et Juliette
***11
Eugene Onegin revival fails to find the magic spark in Toronto
***11
COC triumphs with Kentridge’s brilliantly conceived Wozzeck
*****
Más críticas...
Artículos relacionados
Loading image...
Maria por Angelina: Pablo Larraín habla sobre el biopic de Callas
Loading image...
Critics’ Choice 2023: ¿Quiénes son los mejores directores y orquestas del mundo?
Loading image...
Tras la pista de los grandes compositores checos
Loading image...
Arriba el telón: Lisette Oropesa habla sobre "La traviata" con distancia social
John Gilks