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Música clásica, ópera, ballet y danza en Corea del Sur

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SeoulThe Concert in Celebration of Liberation of Korea

Seoul Philharmonic Orchestra
Beethoven: Sinfonía núm. 9 en re menor "Coral", op. 125
Seoul Philharmonic Orchestra; Jaap van Zweden; Gloria Jieun Choi; A-kyeong Lee; Jihoon Son; Gihoon Kim

SeoulJaap van Zweden conducts Respighi's "Pini di Roma"

© Roger Neve
Mozart, Jung Jae-il, Respighi
Seoul Philharmonic Orchestra; Jaap van Zweden

SeoulSPO Chamber Classics V: Classical Vienna

Seoul Philharmonic Orchestra
Telemann, Mozart
Kristian Bezuidenhout; Musicians from the Seoul Philharmonic

SeoulSoo-Yeoul Choi conducts Scriabin's Fourth Symphony

© Marco Borggreve
Mozart, Lee, Scriabin
Seoul Philharmonic Orchestra; Soo-Yeoul Choi; Kristian Bezuidenhout

SeoulSPO Park Concert 2026 with B.Grimm Power Korea

Seoul Philharmonic Orchestra
Unknown
Seoul Philharmonic Orchestra; Jaap van Zweden; Hai Kyung Suh; Jae-rim Choi
Últimas críticasVer más...

Yunchan Lim, Minsoo Sohn and Masato Suzuki mark KBS Symphony’s 70th

Yunchan Lim and Minsoo Sohn with the KBS Symphony Orchestra © KBS Symphony Orchestra
Shared purpose, gathering force: Yunchan Lim and Minsoo Sohn join forces for a Mozart double piano concerto at the Lotte Concert Hall, Seoul. 

Orozco-Estrada, Bruce Liu and the KBS Symphony Orchestra in Seoul

Bruce Liu, Andrés Orozco-Estrada and the KBS Symphony Orchestra © KBS Symphony Orchestra
Vivid, full-bodied Tchaikovsky, passionate without losing its grammar, on a persuasive night for the KBS Symphony Orchestra.

One moon, three waters: Yunchan Lim’s Mozart with Camerata Salzburg

Sunhae Im and Yunchan Lim © Shin-joong Kim | MOC
A pair of piano concertos envelop a concert aria as Yunchan Lim opens his Mozart project with poise and nerve in Seoul. 

Spacious Prokofiev from Seong-Jin Cho and the Munich Philharmonic

Lahav Shani conducts the Munich Philharmonic © Vincero | Won Hee Lee
Seong-Jin Cho’s premise in Prokofiev is compelling – to reconcile Russian gravitational attack and monumental construction with clarity, colour and contrapuntal legibility.

Sakari Oramo, Yeol Eum Son and the BBC Symphony in Seoul

Yeol Eum Son, Sakari Oramo and the BBC Symphony Orchestra © Hankyung Media Group
Yeol Eum Son’s Britten Piano Concerto formed the evening’s centre of gravity, played with lucid line, structural command and sudden fire. In Brahms’ Second Symphony, Sakari Oramo found conviction, proportion and a warmth that felt earned rather than applied.