En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Wrocław

There is no specific spotlight in any of the pieces. In all three, the choreography is shared and there are no grand solos or flashy principals to steal attention. 

Eine fein abgestimmte, etwas weichere, anregende Interpretation der Messe zur Feier des Early Music Day.

Mit dem Verdi-Requiem gelingt Gardiner mit dem ORR und dem Monteverdi Choir ein überwältigendes Totendrama.

Mit Haydn demonstriert Antonini im ersten Konzert Verlust, Überleben und Hochleben sowie fügt Il Giardino Armonico eine spezielle Folge seines Porträts hinzu.

Eiji Oue doesn't quite convince in Bernstein and Copland, but Samuel Barber's Violin Concerto proves a winner. 

Mozart was supposed to be the composer of La clemenza di Tito but it was really a critical edition of Metastasio’s opus by Teodor Currentzis.

A concert at the Andrzej Markowski International Wratislavia Cantans Festival that was anything but traditional or predictable.

Jean Tubéry’s virtuosity as a maestro di cornetto made up for disappointing vocalism in Monteverdi’s Vesperis in Festis Beata Mariae Vergine

The fabulous new Narodowe Forum Muzyki in Wrocław presented a very original Silvester offering of Szymanowski, Grieg and Dvořák.

Britannia rules the waves on the LSO’s tour of Eastern Europe. 

L’orchestre symphonique du Forum National de la Musique à Wroclaw donne un concert passionnant, plein de rebondissements sous la baguette du japonais Eiji Oue.

Baroque opera in Poland is similar to the legendary Nazi treasure train. There are lots of stories about it, but like the train, its true existence seems speculative.