En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Wallen

Catherine Larsen-Maguire dirigió la OSG con Philippe Quint en el Concierto de Wallen y la Sinfonía núm. 1 de Walton. 

Ibermúsica inicia la temporada con una leyenda viva de la interpretación, Yo-Yo Ma, quien, acompañado por Kathryn Stott, ofreció un curioso e infrecuente programa.

All praise should be heaped on Rosie Middleton for her brave evocation and the vocal prowess of her performance in Peter Maxwell Davies’ Eight Songs for a Mad King. 

Opera Philadelphia commissions ten composers to tell the story of an ordinary woman's idiosyncratic march from cradle to tomb.

La phalange qui fête ses dix ans d'existence a remporté un triomphe dans un programme original et ô combien enthousiasmant, en belle compagnie – avec Sheku et Isata Kanneh-Mason, Tai Murray et Roderick Cox.

The BBC's annual classical jamboree is launched in fine style with a premiere and a timely revival, conducted by Sakari Oramo. 

Errollyn Wallen's new piece is a treat, while the complete Appalachian Spring reveals new depths to Copland's score.

In the Baroque splendour of a church fondly-known as Queen Anne’s Footstool, the band entertains an appreciative audience to nine of the finest things they currently have on offer.

From Copland and Judith Weir to late Beethoven, a double bill of delights in Sheffield.

La rencontre entre John Butt et l'Academy of St Martin in the Fields est un rendez-vous manqué, à peine rattrapé par la belle interprétation de pièces d'Errollyn Wallen.

Painting pictures in music can often be stimulating. In a programme inspired by the sea and by pictorial art, Elim Chan, Catriona Morison and the BBC NOW reveal the underlying colour. 

A joyful evening of Franco-Brazilian dance music with Royal Northern Sinfonia and Jess Gillam as part of Sage Gateshead's New Year New Music 2019 festival.

Deft programming, fine arrangements and playing from Mr McFall's Chamber and guest soprano Susan Hamilton.

It’s not every evening that you hear a composition played on two serrated Nigerian Fanta bottles. Nor is it every evening that you hear pieces by Schumann and David Byrne (formerly of Talking Heads) in the same concert. Nor, for that matter, do cellists often sing. As this concert’s title suggested, ‘Uncharted’ at Kings Place was very much a trip into the unknown.