En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Whitley

Visually pleasing, superbly danced and musically rousing, yet Luna doesn’t quite reach the pinnacle. 

Forget those po-faced tenors of yore; this is joyous music and Allan Clayton was just the man to deliver it.

A wide-ranging programme from the shape-shifting ensemble at Wigmore Hall explores love in its many guises. 

Anna Tsygankova is clearly enjoying her part in Forsythe's Pas/Parts 2018, an exposé of the vocabulary of modern ballet.

Mit einem ungewöhnlich politischen Thema beeindruckt die niederländische Erstaufführung von Speak out.

Birmingham Royal Ballet presents a double bill subtitled ‘Two ballets fuelled by power and politics’ as part of David Bintley’s last season as director. 

A novel venue provided the unusual setting for an engaging and impressive performance by the Multi-Story Orchestr and Multi-Story Youth Choir of music by JS Bach, Kate Whitley and John Adams.

Leonard Elschenbroich joined with the 12 ensemble for an evening dedicated to the Suite italienne, a stroll through time though with a focus on contemporary composers.

The second instalment of Nonclassical’s “Pioneers of Percussion” Festival last Saturday at Oval Space in east London paired two classics of the percussion repertoire with two new works, and featured the young and ambitious Multi-Story Orchestra. It is a great testament to the quality of these new works that they not only held their own, but were indeed the highlights of the evening.

Imagine that Britney Spears is in the final throes of life. She stages one last concert to bid farewell to her fans, but is too mentally unstable to make it work. Her former lover Justin Timberlake appears onstage and attempts to win back her affections. Everything happens in slow motion, perhaps because Britney is undergoing a sort of psychotic breakdown.