Aspects of love from the Kaleidoscope Chamber Collective

Por Mark Pullinger, 30 septiembre 2020

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Crítica hecha desde Wigmore Hall, Londres el 30 septiembre 2020

Schubert, Adagio and Rondo Concertante in F major, D.487

Glinka, Doubt (Somnenie)

Borodin, The beautiful girl does not love me

Whitley, This is My Love Poem for You

Walker, Lyric for Strings

Barber, Dover Beach, Op.3

Korngold, Piano Quintet in E major, Op.15

Rodgers, South Pacific: Some enchanted evening

Kaleidoscope Chamber Collective

Matthew Rose, Bajo

Elena Urioste, Violín

Savitri Grier, Violín

Rosalind Ventris, Viola

Laura van der Heijden, Violonchelo

Tom Poster, Piano

Travels with a cello: Laura van der Heijden touches down in Sheffield

Steve Draper, 6th December

It's all the Bs for Laura van der Heijden and Tom Poster for Music in the Round.

****1

Tom Poster stars in a Hallé concert of Nordic magic

Peter Connors, 13th December

Grieg's Piano Concerto played by Tom Poster and the Hallé under Stpehen Bell was the highlight of a popular programme of Nordic favourites by Grieg and Sibelius

****1

Sorprendente e innovadora Flauta mágica en Les Arts

Daniel Martínez Babiloni, 17th June

Simon McBurney sorprende al público de Les Arts con una innovadora producción de La flauta mágica.

*****

A rite of spring turned inward: Strauss’ Daphne at Seattle Opera

Thomas May, 16th January

Presented without staging, Seattle Opera’s concert Daphne places Strauss’ extreme vocal demands and saturated orchestral writing in sharp relief, offering a high-risk encounter with a rarely heard late opera.

****1

The Magic Flute returns in triumph to the Royal Opera House

Christopher Woodley, 10th October

Sir David McVicar's classic staging of The Magic Flute, now over 20 years old, shines afresh in a stylish performance conducted by Marie Jacquot, making her Covent Garden debut.

****1

Loges Werk und Wotans Beitrag: Rheingold an der Bayerischen Staatsoper

Alexandra Richter, 31st July

Tobias Kratzers Rheingold bildet den krönenden Abschluss der Münchener Opernfestspiele – eine Inszenierung, die jetzt schon als Meilenstein gelten kann.

*****

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Aspects of love in an enchanting evening from the Kaleidoscope Chamber Collective