En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Conjunto de viento

Operadhoy ha presentado tres nuevas obras de compositores españoles jóvenes, cuyo nexo común, bajo el título de Sinergias, ha sido la subversión de los límites entre las distintas disciplinas escénicas.

Chief Conductor Emmanuel Villaume led a sparkling contribution to the Year of Czech Music, pairing rarely heard items with popular standards.

The Belfiato Wind Quintet and Pavel Haas Quartet bring unique intensity to the East Neuk Festival's Czech night, quivering with intensity as they bring their homeland's music to life.

Criss-crossing and climbed the narrow streets of Balat, the “Music Route” takes in some of the city's hidden gems for intimate chamber recitals. 

It is a well-known fact that Beethoven's Septet was one of his most popular works during his lifetime. What is lesser known is that Carl Czerny, his pupil, made a version for wind sextet.

As part of Oslo's Ultima festival, wind bands Sjøforsvarets musikkorps and Det Norske Blåseensemble dazzle with a programme of works by contemporary Norwegian composers.

The reprise of The Fifth Century marks the beginning of an extended partnership between Bryars and the Crossing. 

Woodwind and Brass from the Royal Conservatory of Scotland gave sparkling Stravinsky performances of his Octet, Symphonies of Winds and joined by RCS Voices for his Mass.

Happy Birthday, Mozart! An incisive Gran Partita from London Winds, a spirited Sesto from Christine Rice, and a memorable and arresting Concerto from Collins and the City of London Sinfonia.

Rare Baroque Mass performed in Malta

A subtle and understated performance of Nielsen's Wind Quintet, followed by sophisticated and conversational Mozart from Christian Blackshaw and the Royal Northern Sinfonia Winds.

Jonathan Dove’s new opera about the foolhardy destruction of nature receives an open-air world première with fiery special effects against an evocative historical backdrop.

A short one-hour concert of chamber wind instrument music placed itself neatly tucked away in The Lantern at the Colston Hall as part of the returned Tuesday Lunchtime Concert Series.

Les Vents Français are musical alchemists, turning some rather humdrum wind repertoire into something approaching musical gold. 

In Strauss 150th anniversary year, it seems natural to pair him with his beloved Mozart. Strauss was just 20 years old when he composed his Suite in B flat for 13 wind instruments – in the same key, although a different combination of winds, as Mozart’s famous ‘Gran Partita’ Serenade.

In “Far from Home” reed quintet Calefax and the Nederlands Kamerkoor performed music around the theme of loneliness, loss and exile.

Philip Herreweghe directs Schütz' Psalmen Davids with Collegium Vocale Gent at the Amsterdam Concertgebouw, in a performance of sustained power and feeling.

New Dots is a new initiative devoted to supporting emerging composers and performers in contemporary music, and this was its second-ever concert, at The Forge in Camden.

Here’s a secret: on any given night in New York City and Brooklyn, groups of regular-looking people perform exceedingly difficult music in front of other regular-looking people, sometimes for one hour, sometimes for twelve.

The final concert in Northern Sinfonia’s summer chamber music series followed the pattern of the first two, sandwiching a lesser-known piece between two staples of the chamber music repertoire, and giving different groups from the orchestra the opportunity to step forward.

Early Romantic symphonies lie at the core of Northern Sinfonia’s orchestral repertoire, and so to hear different groups of their players getting together with pianist John Reid to perform chamber music by Schumann and Brahms seemed like the most natural thing in the world, an intimate, scaled-down version of one of their regular concerts.

Saturday night, The Grainger Elastic Band, with members of the Royal Artillery Orchestra and The Fitzwilliam String Quartet, and conducted by Roger Montgomery, put on an all-Percy Grainger concert at King's Place.