En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | National Youth Choir of Scotland

The Planets gets the star treatment from Gardner and the LPO, while Beatrice Rana brings disarming delicacy to Rachmaninov.

Golijov's La Pasión según San Marcos is full of life, but seeing it as well as hearing it definitely helps. 

The festival's final concert marks several endings, including the fulfilment of Sir Andrew Davis' Elgar oratorio cycle with the RSNO.

Concert hors-catégorie pour conclure un week-end Berlioz à la Philharmonie : bien entourés, François-Xavier Roth et Les Siècles livrent une interprétation exceptionnelle du diptyque Symphonie fantastique – Lélio.

An unapologetic treat at the Proms and a composition of immediate appeal.

NYCOS showcase at The Edinburgh Fringe:  The Armed Man: A Mass for Peace by Karl Jenkins was a moving performance, and a thrillingly muscular take on Mozart’s Requiem let the young voices gloriously soar.

Prom 20 proved an exhilarating journey, featuring Berlioz’s Roméo et Juliette as one of the key works of this year’s BBC Proms' Shakespeare 400 celebrations.

National Youth Choir of Scotland Chamber Choir and Lammermuir Festival Players delight in an imaginative programme of French and Estonian sacred music.

Prom 23 contained a mixed programme of McLeod, Beethoven and Mozart. Whilst each piece was enjoyable in its own right, and some truly outstanding musicianship was evident throughout the evening, the lack of connection between the pieces left a feeling of unsettledness.

A concert programme can resemble a puzzle; searching for links and contrasts often results in a more enjoyable, unified experience. I therefore strove to arrive in sufficient time for a careful reading of the programme notes for this performance by the Scottish Chamber Orchestra at Usher Hall, part of the Edinburgh International Festival.

Coincidence can add resonance to timing. The day after enjoying BBC Radio 3’s Free Thinking discussion about the relevance and future of live classical music, I found myself at just the sort of event that could have informed the debate.

If three years is sufficient to constitute a tradition then, traditionally, a Lammermuir Festival ends with a sell-out concert in St. Mary’s Parish Church, Haddington. And if year three is sufficiently far along the line to break with tradition, then this year’s surprise was not box-office focused but based on choice of repertoire; not a Bach/Handel finish, but an all-French programme.

Visiting the Sage to perform a larger concert tomorrow night with the National Youth Orchestra, the National Youth Choir of Scotland presented a solo recital this evening, showcasing, we were told, some of their recent repertoire and favourite pieces, including contemporary arrangements of Scottish folk songs.