En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Matthew Hunt

Intimate playing from Sean Shibe, a deconstruction of Maria Callas’ vibrato and a deeply committed Boulez mid 20th-century masterpiece.

Alina Ibragimova and friends join forces at the Queen Elizabeth Hall in two powerful chamber works composed at the height of the Second World War. 

How many of Albéric Magnard's 22 works do you know? Jean-Efflam Bavouzet and the Orsino Ensemble perform his Quintet in D minor to Wigmore Hall and it becomes the sixth star of the evening. 

Erich Korngold's luscious String Sextet provides the musical highlight of Erkki-Sven Tüür's Pärnu programme. 

The Czech Pavel Haas Quartet bring their distinctive sound and selfless musicianship to Birmingham, in the first of three concerts featuring Matthew Hunt in Brahms's Clarinet Quintet alongside twentieth century quartets.

Despite the frequency with which the two composers are compared, Thomas Adès’ music seldom sounds very much like that of Benjamin Britten. But Adès has an uncanny knack of performing Britten’s music in such a way that it resembles his own.

Red, white and blue bunting, with matching lighting, adorned the balconies of Cheltenham Town Hall, setting a patriotic scene for a concert of music from the year that World War I ended. Television presenter Julia Somerville opened the evening sat at a vintage newsdesk with her own careful research, for which she can be highly commended.

The concert opened with BBC newsreader Julia Somerville, summarising news from the year 1915 at an old-fashioned broadcasting desk complete with microphone. It was informative, and set the scene for this recital, one in a series of ‘time capsule’ concerts, solely featuring music composed in 1915 – including two of Debussy’s last chamber pieces.