En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Aubrey Allicock

Blazers and breastplates! This Rinaldo is already eight years old! It’s played at the BBC Proms while almost 40 performances have graced Glyndebourne’s festival and tour up to now, so it must be doing something right.

Der Regisseur und Choreograph Bill T Jones realisiert mit We Shall Not Be Moved eine körperbetonte Produktion, die der Operngattung frische Blut einflößt.

Hip-h'opera world première at Philadelphia's O17 Festival.

At the Barbican last night, Gerald Finley, John Adams and the BBC Symphony Orchestra combined to deliver the heaviest operatic punch I’ve been subjected to all year.

Washington National Opera continues its cycle of social justice operas.

Aidan Lang, head of Seattle Opera, reveals his talents as a stage director in a fresh and engaging interpretation of Mozart's comic masterpiece. 

This year’s Wexford Festival opened with Frederick Delius’ Koanga – a tricky piece to get right, but director Michael Gielata largely succeeded.

The opera, directed by Mary Birnbaum, rotates through a cast of characters including Tonic, Dominant, and Subdominant as well as a be-wigged Haydn, Mozart, and Beethoven.

David Robertson carried the Met Orchestra through one of the most brilliantly-conducted performances I’ve witnessed, though the music itself was not always impressive. 

Generally, opera doesn’t give old age much of a look-in, but the closing scene of Janáček’s The Cunning Little Vixen, written in Janáček’s old age, is an exception, as the Forester muses on the passing of time and the renewing cycle of life. In today’s Juilliard School production, Aubrey Allicock gave us the most touching and thoughtful of renderings.