En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Jean-Pierre Ponnelle

Esta reposición de Turandot en el Teatro de la Maestranza de Sevilla supone una explosión de emoción y brillo para el inicio de su temporada.

In ihren Paraderollen zeigen Garanča und Kaufmann einmal mehr, warum sie zu den Superstars der Opernwelt zählen.

A luxuriously-cast revival takes a staid production of Mozart's Idomeneo to new, exciting heights. 

Gaëlle Arquez, in one of her infrequent wanderings into Italian bel canto, leads a cast of Rossini specialists under the baton of Ottavio Dantone.

Ein opulenter Augenschmaus mit einem großartigen jungen Mozart-Ensemble.

Lots of people talk about keeping opera relevant. WNO shows why this opera always has been.

The Met's revival of Jean-Pierre Ponnelle's 1984 production of La clemenza di Tito is given a new breath of life with superb conducting and an excellent ensemble of singers.

Elīna Garanča gibt als Santuzza ein beeindruckend gefühlvolles Wiener Rollendebüt.

Mozart's Idomeneo proved to be a challenge for some of the soloists initially but the superb orchestra under James Levine brought about a successful opening evening at the Met.

A winning ensemble of singers led by James Levine makes the revival of Rossini’s early opera a success.

In a reconstruction of Jean-Pierre Ponnelle’s production for the world première of Reimann’s soul-pummelling Lear, the staging stands the test of time, but the cast and orchestra leave the biggest impression.

Bridging new and old, the young graduates of Teatro alla Scala's Academy joined seasoned Italian opera legends for an "Academy Project" performance of Gioachino Rossini's Il barbiere di Siviglia in Jean-Pierre Ponnelle's 46-year-old staging.

In a very silly production of Rossini's La Cenerentola at the Staatsoper, the cast takes a while to warm up, but are irresistably charming in full form.

Using Rossini’s music as the guidelines for his actor’s movements, Director Gregory Fortner has fashione a highly choreographed interpretation of the opera based on the classic production by Jean-Pierre Ponnelle. 

In a city where the Vienna State Opera ball is considered the climax of the carnival season and where the local news would lend itself to great libretti (were operetta still in fashion), it is not too surprising that music and theatre performances occasionally mirror the headlines.

Read our review of Jean-Pierre Ponnelle's production of Mozart's La Clemenza di Tito in its 2012 broadcast from the Met Opera in New York.