En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Jeremy Silver

Any occasion to see Donizetti's first big success is to be welcomed. The Longborough Festival's new production of Anna Bolena gives us a Tudor court in terror of a brutish, Henry VIII as he seeks to supplant Anne Boleyn with Jane Seymour.

Gluck sought simplicity; Longborough Festival Opera delivers simplicity with a most enjoyable and engaging production of Orfeo

Donizetti’s Il furioso all’isola di San Domingo hasn’t strayed onto UK shores for decades, but is given a spirited performance by English Touring Opera. 

Written half a century before the verismo movement, Donizetti paints a true-to-life portrait of a besieged people which is genuinely touching. James Conway's straightforward production features some notable individual singers and an excellent performance by the chorus.

A very concise, two-act opera which tells a bleak wartime tale of sacrifice, rarely performed and never realised to the satisfaction of its own composer. You could be forgiven for thinking I was describing something from 20th-century Germany, perhaps an expressionist work taking after Berg’s Wozzeck or similar. You’d be wrong.