The Wild Man stumbles into Hackney

Por Mark Pullinger, 13 marzo 2015

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“there’s more backstory narration than your average Wagner music drama”

Crítica hecha desde Hackney Empire, Londres el 12 marzo 2015

Donizetti, Il furioso nell’isola di San Domingo

English Touring Opera

Jeremy Silver, Dirección

Iqbal Khan, Dirección de escena

Florence de Maré, Diseño de escena

Craig Smith, Cardenio

Sally Silver, Eleonora

Nicholas Sharratt, Fernando

Njabulo Madlala, Bartolomeo

Donna Bateman, Marcella

Peter Brathwaite, Kaidamà

Art imitates art in ETO’s bracing new Pagliacci

Dominic Lowe, 10th April

Divorced from Cavalleria rusticana, English Touring Opera’s contemporary take on Leoncavallo’s masterpiece ticks all the boxes.

****1

English Touring Opera transfers Donizetti to the English coast

Dominic Lowe, 27th September

L'elisir d'amore may not immediately bring Skegness or Romney to mind, but ETO's new production works quite well there... just look out for the seagulls!

***11

Blissful and hard-boiled: I Capuleti e i Montecchi at ETO

David Karlin, 22nd February

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

****1

A tender Shakespeare-inspired curio from English Touring Opera

Susannah Moody, 15th February

ETO kicks off its spring season with What Dreams May Come, a strange and moving staging of songs inspired by William Shakespeare.

***11

Theatrically poverty-stricken: ETO's Blond Eckbert

Mark Valencia, 18th October

Judith Weir's cryptic folk opera lacks the narrative propulsion necessary to enthral an audience, and without resolution there is no catharsis.

**111

ETO's The Snowmaiden melts the heart and gladdens the ears

Dominic Lowe, 28th September

Olivia Fuchs' production of Rimsky-Korsakov's charming fable for ETO begins its tour in Hackney and is worth travelling to see. Catch this thoughtful production in a town near you.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

The Wild Man stumbles into Hackney in ETO’s rare Donizetti revival