En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Deborah Nansteel

Stravinsky’s fable of desire and downfall receives a meticulously unified staging in Glimmerglass’s 50th season.

The second installment in The Atlanta Opera's first-ever Ring Cycle benefits from the committed performances of veteran Wagnerians like Christine Goerke and Greer Grimsley.

The Met's first European tour in 20 years makes it to London for an evening of Shakespeare and Berlioz.

The Met unveils Simon Stone’s new production is set in a working class American town in decline... an interesting concept that ultimately fails to overcome its own cluttered ideas.

Despite beautifully realized performances from Renée Fleming and Kelli O'Hara, Kevin Puts' opera is still finding its voice.

The combination of a strong, spirited cast and a first-rate orchestral performance led by Daniele Callegari rendered the opera a moving experience in spite of drab staging and latent, unexplored tensions.

American singers Clay Hilley and Sara Jakubiak offered performances of distinction in two fiendishly difficult roles.

Robert Longbottom's take on Donizetti's Daughter of the Regiment captures the spirit of bel canto in Washington DC. 

Santa Fe Opera presented Gounod’s Roméo et Juliette in Stephen Lawless’ mid 19th-century staging, a co-production with Barcelona's Liceu. Before the overture, General Director Charles MacKay came onstage to announce that Stephen Costello was ill and would be replaced by Joshua Guerrero, a graduate of the Los Angeles Opera Young Artist Program.

If the production is full of pleasures, they do not immediately or obviously connect to a sense of some larger plan, which might have been helped along with a more dynamic set.

A visually striking production of Rossini's La Cenerentola for Washington National Opera.

If an evocative and provocative crowd-pleaser is your preferred summertime fare, then catch the new production of Wagner’s The Flying Dutchman at Glimmerglass Festival.Dutchman was Wagner’s first unabashed hit, deservedly so. It is a classic tale of redemption through love, masterfully scored, inspired by a stormy voyage the composer himself made and Heinrich Heine’s retelling of the legend.