A musically sumptuous, dramatically staid Die Walküre in Atlanta

Greer Grimsley (Wotan) and Christine Goerke (Brünnhilde)

Viktor Antipenko (Siegmund) and Laura Wilde (Sieglinde)

Christine Goerke (Brünnhilde) and Laura Wilde (Sieglinde)

The Ride of the Valkyries

Christine Goerke (Brünnhilde), Greer Grimsley (Wotan) and Gretchen Krupp (Fricka)

Christine Goerke (Brünnhilde) and Greer Grimsley (Wotan)

Por Cameron Kelsall, 30 abril 2024

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“a signal that grand opera still has a place amid mounting industry-wide financial austerity”

Crítica hecha desde Cobb Energy Performing Arts Centre: John A Williams Theatre, Atlanta el 30 abril 2024

Wagner, Die Walküre

Atlanta Opera

Arthur Fagen, Dirección

Tomer Zvulun, Dirección de escena

Erhard Rom, Diseño de escena, Projection designer

Mattie Ullrich, Diseño de vestuario

Robert Wierzel, Diseño de iluminación

Atlanta Opera Orchestra

Greer Grimsley, Wotan

Viktor Antipenko, Siegmund

Raymond Aceto, Hunding

Laura Wilde, Sieglinde

Christine Goerke, Brünnhilde

Gretchen Krupp, Fricka

Yelena Dyachek, Helmwige

Julie Adams, Gerhilde

Alexandra Razskazoff, Ortlinde

Catherine Martin, Waltraute

Aubrey Odle, Siegrune

Deborah Nansteel, Roßweiße

Maya Lahyani, Grimgerde

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Goerke and Grimsley head a musically sumptuous, dramatically staid Die Walküre at Atlanta Opera