En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Jürgen Sacher

La Orquesta y Coro Nacionales abre una prometedora temporada con una poderosa interpretación semiescenificada de Wozzeck, demostrando la madurez de una formación y un director que no se cansan de asumir nuevos retos.

At Staatsoper Hamburg, Unsuk Chin’s new opera The Dark Side of the Moon immerses audiences in an hypnotic, introspective journey, where dreams, science and psyche collide in a rigorously crafted, thought-provoking spectacle.

Opening the new opera season, Kent Nagano powerfully directs Mussorgsky's great psychodrama about a famous tsar, marred only by Frank Castorf's visually confusing and symbolically overweighted production. 

“Jealous lover kills local slut” might be the tabloid headline, but Bizet's Carmen is much more than that, especially in this visually stunning new production in Hamburg, directed by Herbert Fritsch.

Zubin Mehta leads a great cast in a revival of a successful production of Verdi's Falstaff at the Staatsoper in Berlin

Michael Volle makes his debut as Verdi's not-so-Fat Knight in Mario Martone's new production at the Staatsoper. 

The third installment of Géza M. Tóth's staging of the Ring, this Siegfried is visually striking, but it's only a strong cast, and above all Egils Silins' Wanderer, that makes it worth attending.

Mozart's very notes become servant to the cause in an ingenious staging of Le nozze di Figaro by one of today's most esteemed directors.

Roger Vontobels Operndebüt im neuen Hamburger Tell beweist Mut und Fingerspitzengefühl und erweist sich Schmähkritiken zum Trotz als durchaus sehenswert.

Sometimes the star performer isn’t one of the big romantic headline roles, or even the baritone villain. In this Siegfried, the performance that left me gasping was Gerhard Siegel’s Mime.