En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Samantha Price

Eloise Lally shifts the Romeo and Juliet love story into New York mafia families. Jessica Cale and Samantha Price provide blissful bel canto as the star-crossed lovers.

Some good singing performances can't overcome a dated feeling of Gilbert's humour: the evening improves as the storm clouds gather.

Amid all the18th-century flummery, contemporary touches abound as the OHP's post-pandemic season opens. 

Bieito’s Carmen is now a mainstay of ENO's repertoire, but with an excellent central cast led by Sean Panikkar and Justina Gringytė, the production feels entirely fresh. 

A good, honest staging and solid singing add up to an excellent new production – its third – at Opera Holland Park. 

Simon McBurney's production of The Magic Flute continues to delight and this revival benefits from a strong cast, led by the superb Lucy Crowe as Pamina.

Venables conceived a wealth of acoustic and visual components that constantly overlap and interact.

WNO make a compelling case for Prokofiev's gargantuan War and Peace.

Daisy Evans' take on Verdi's iconic tale of love stymied by the cruelty of others is characteristically innovative and insightful, while also blessed with a remarkable central performance from Anna Patalong. 

Cal McCrystal goes long on the ham and keeps the gags flowing in a visually stunning production that will delight G&S lovers.

Michael Sanderling conducts the Dresden Philharmonic in Beethoven in Cardiff.

An operatic take on The Winter's Tale – categorised as one of Shakespeare’s ‘problem plays’ – premieres at English National Opera. 

After a sparkling Act I, energy fades slightly on a sweltering night in London, but Opera Holland Park's Die Fledermaus has a lot going for it.

The sheer opulence of Minghella's staging often overwhelms, drenched in colour. Is that enough to really get to the core of the drama though, or is it all surface gloss?

Full of physical comedy, joyous and enthusiastic, Fiona Shaw's vision of Mozart's The Marriage of Figaro makes the most of its taut and energetic plotlines, intense charactisation and beautifully balanced music.