En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Ronald Brautigam

Bajo el título "Música por la paz", la Universidad Autónoma reunió a la Concertgebouw Chamber Orchestra y al pianista Ronald Brautigan en un excelente concierto con obras de Mozart, y que servía de homenaje a Francisco Tomás y Valiente.

Streamed from an empty concert hall, the Concertgebouw's Beethoven Festival Online offered a series of six chamber works. 

Nicholas Collon decides that Mendelssohn is really a very revolutionary composer, while Amy Dickson's saxophone and Ronald Brautigam in Mozart provide vibrant contrasts.

At BRQ Vantaa Festival, Ronald Brautigam opens eyes and ears, displaying immaculate technique on a replica of a Beethoven-era piano.

For the silver jubilee of Ronald Brautigam’s history with the Amsterdam Sinfonietta, Sally Beamish composed a new piano concerto. Haydn, Mozart, and Elgar complemented the programme.

Beautifully interpreted performance of Mozart and Elgar at Sydney's Opera House, with Ross Edwards' White Ghosts Dancing. 

Ronald Brautigam brought the Kölner Akademie to the Concertgebouw for an ode to Mozart as part of the Robeco Summer Nights Festival. 

A wonderful combination of venue, repertoire and performers made for an excellent morning concert in Bogotá's Mozart festival. 

Kees Bakels has worked with the Bournemouth Symphony Orchestra many times over the last 30 years and the rapport that he and the BSO share is very apparent. 

In an excellent performance, two Dutch masters wow their audience with Mendelssohn's romanticism in a concerto not often performed, with a German orchestra barely playing back-up.

The Concertgebouw has been celebrating its 125th anniversary throughout 2013. On the darkest, rainiest Sunday evening in months, the Combattimento Consort Amsterdam defied the oncoming winter with a joyous, exuberant performance, one of a series of special celebratory concerts for this jubilee year.

On Saturday evening, the Amsterdam Sinfonietta with soloist Ronald Brautigam presented a splendidly varied programme including pieces by Webern, Mozart and Bach.The Sinfonietta began their programme with a thrilling adaptation of Webern’s Langsamer Satz, an early neo-Romantic piece originally written for string quartet.

There are some concerts where you are confronted with the same emotions from start to finish, concerts with pieces that have a similar feel and similar impact throughout. Tonight’s concert was not one of those: it varied from funny (Jeux), to serene (Prélude), to confusing (Concerto for piano and winds).