En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Carolyn Sproule

After more than a quarter of a century, Janáček’s late masterpiece returns to the Canadian Opera Company, but falls short in charm, magic, and humour.

The Polish director comes to Italy for the first time to direct Janáček's last opera, with the young Belarusian Dmitry Matvienko  conducting.

Ambur Braid excels in the title role in the Canadian Opera Company’s starrily cast revival of Atom Egoyan's production.

La production proposée au Grand Théâtre de Provence dans la mise en scène d'Andrea Breth vaut le détour pour l'interprétation de haut vol d'Elsa Dreisig, bien suivie par Ingo Metzmacher et l'Orchestre de Paris.

Richard Jones' setting is superb in its bare minimalism, but he pays great attention to all the psychological nuances in Janáček's opera. 

Étienne Dupuis et Nicole Car ont remporté tous les suffrages dans les deux rôles principaux de l'opéra Eugène Onéguine à l'Opéra de Montréal, dans une production à peu près sans faille.

Christopher Alden’s production of Verdi’s Rigoletto returned to Toronto tighter, more focussed and with fewer dramatic incongruities. Add to this that every aspect of the music making was top notch and it made for a fine evening at the theatre.

An intriguing performance of a wonderful, psychological opera that needs to be heard much more frequently this side of the Atlantic.

Vancouver Opera's opening production of the 2015-16 season features an ideal cast let down by stale production

The Met's holiday special, Hänsel und Gretel, is a treat not only for young children but for adults with its sophisticated music, excellent singing ensemble and orchestra playing, as well as its witty production.