En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Michael Wilmering

Der russische Regisseur inszeniert den Freischütz als ironisch-sarkastische Oper über die Oper – jedoch ohne Freischütz.

Ein emotionales Werk, aufgebaut wie eine auf ein jugendliches Publikum zugeschnittene schrille Fernsehdokumentation.

Director Ola Mafaalani has created an absorbing and completely cinematic version of the opera, combining stationary and handheld cameras to create a pictorial variety of perspectives and expressionistic framing

Orchestra and singers reached great heights in this highly lyrical and dramatically flowing Frau ohne Schatten conducted by Yannick Nézet-Séguin.

Retrouvant ses musiciens de Rotterdam, Yannick Nézet-Séguin triomphe de la redoutable Femme sans ombre de Strauss, aidé par un plateau de toute première classe.

The credits for this new production directed by Olivier Py raised high expectations that were only partially met on opening night.

In an elegant new production by Ivo van Hove, Malin Byström portrays a graceful, erotic Salome and the RCO play with sensuous lyricism under Daniele Gatti.

Louis Andriessen’s new opera is a masterly expedition into the grand and grotesque mind of Athanasius Kircher, polymath and fantastist, but it is hampered by a clumsy libretto.

Young singers, musicians and designers in this Matrimonio segreto co-produced by the three main opera companies in the Netherlands show that, on the stage and in the pit at least, the future of opera is bright.

After showing in 13 theatres around the world, Robert Carsen’s Dialogues des carmélites returns again to Amsterdam, where it was premiered in 1997. Almost 20 years on, its finale remains a shattering theatrical experience.