En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Sergio Tiempo

El sonido monumental y la contundencia en el carácter que el maestro Gustavo Dudamel imprime en las orquestas que dirige es una firma; una revolución en un mundo orquestal en general con tendencia a lo tradicional.

At Berlin's Philharmonie, Gustavo Dudamel takes the audience on an adventurous journey around the Americas with works by Ortiz, Ginastera and Ives.

Brahms’ Second Symphony leads on from where Rachmaninov’s most difficult concerto leaves off as the Royal Liverpool Philharmonic presents a balanced programme under Domingo Hindoyan. 

Prior to the Russian composers Symphony no. 5, Yannick Nézet-Séguin offered a moving musical tribute to the Ukrainian people.

Piazzolla rubs shoulders with Lanner and Kreisler at the Martha Argerich Music Festival in Hamburg's Laeiszhalle. 

Ken-David Masur and James Burton step in for Gustavo Dudamel in a program featuring Antonio Estévez' Cantata criolla.

Xian Zhang made her Los Angeles debut in a program of Tchaikovsky, Prokofiev,and Chen Yi.

En musique comme dans tout langage, un certain tropisme opère, avec son lot de lieux communs rassurants. On attend d’une formation américaine une certaine fraîcheur, et d’un chef vénézuélien, une chaleur trop souvent absente sous un climat tempéré. Il n’y a pas eu tromperie sur la marchandise. Gustavo Dudamel et le Los Angeles Philharmonic nous ont offert tout cela.

Adjectives that come to mind for your typical summer concert: fun, friendly, safe. Would any of those have fit last night’s Hollywood Bowl program? “Fun” absolutely works; maybe “friendly”. But “safe”? The centerpiece of the program – Alberto Ginastera’s wild Piano Concerto no. 1 – was anything but that. Try “daring”. Or even “dangerous”.