Gustavo Dudamel et le Los Angeles Philharmonic au Barbican

Por Nicolas Schotter, 26 marzo 2016

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“Dudamel témoigne d’une assurance magistrale, menant avec une sobre fermeté le LA Phil”

Crítica hecha desde Barbican Hall, Londres el 22 marzo 2016

Williams, Soundings (European première)

Ginastera, Concierto para piano núm. 1

Norman, Play (UK première)

Copland, Appalachian Spring

Herrmann, Film music from Vertigo

Gustavo Dudamel, Dirección

Los Angeles Philharmonic

Sergio Tiempo, Piano

Carrie Dennis, Viola

Las manos y los oídos de Beethoven: Dudamel dirige Fidelio en el Liceu

Maria Sánchez, 26th May

Conocimiento y sensibilidad en la propuesta liderada por Dudamel, posibilitando una interpretación para oyentes y sordos con la participación del Coro de Manos Blancas y la Deaf West Theatre.

****1

LA Phil celebrates the California spirit with Andrés Orozco-Estrada

Cameron Kelsall, 3rd May

The program features Maria Dueñas in Korngold's Violin Concerto and a moving tribute to LA native Michael Tilson Thomas

****1

A cerebral bacchanalia: Young's bold, brainy Messiaen at Disney Hall

Néstor Castiglione, 10th April

Simone Young's take on Messiaen's Turangalîla with the Los Angeles Philharmonic proves a night to remember.

*****

Dudamel and Catalan choirs dazzle in Beethoven’s Missa solemnis

Néstor Castiglione, 20th February

In Los Angeles, Gustavo Dudamel conducts Beethoven's Missa solemnis for the first time... and it proves worth the wait.

*****

Shock, spectacle and endurance: Yuja Wang and Thomas Adès at full tilt

Laurence Vittes, 8th February

If Prokofiev’s original intention in his Second Piano Concerto was shock and awe, Yuja Wang gives exactly the right performance with the Los Angeles Philharmonic.

***11

John Adams leads Americana, past and present, with LA Phil

Néstor Castiglione, 23rd January

Compelling as a composer and conductor, Adams restored Roy Harris' Third Symphony to the Los Angeles repertoire, alongside one of his most recent works.

*****

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Nicolas Schotter

Ancien élève du Conservatoire National Supérieur de Paris dans les classes d'Histoire de la musique et d'Esthétique, Nicolas Schotter est ancien éditeur de la version francophone du site Bachtrack. Il continue par ailleurs ses recherches musicologiques sur l'évolution des pratiques musicales liturgiques au XXe siècle.

Gustavo Dudamel et le Los Angeles Philharmonic : un vent du nouveau monde souffle sur la vieille Europe