En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Dresdner Philharmonie

Pablo González llega a Madrid con su gira por España junto con la Dresdner Philharmonie

There is something peculiarly Russian about the capacity for suffering as exemplified in the music of Shostakovich and Tchaikovsky. Maria Ioudenitch, Stanislav Kochanovsky and the Dresden Philharmonic are excellent interpreters at Cadogan Hall.

A polished Tchaikovsky Violin Concerto from Arabella Steinbacher preceded a forceful Shostakovich 5 from Michael Sanderling as the Dresden Philharmonic continue their UK tour.

Pianist Alice Sara Ott and the Dresden Philharmonic at the Cologne Philharmonic

Emily Magee was in glowingly refulgent voice as the 'damsel in distress', Euryanthe, in this concert performance of Weber's rarity. 

Michael Sanderling conducts the Dresden Philharmonic in Beethoven in Cardiff.

Mit ihrem Programm versprach die Dresdner Philharmonie ein Konzert voll großer Melodien, das mit Nobuyuki Tsujii unter der Leitung von Michael Sanderling die klanglichen Details ins Zentrum rückte.

As this visiting orchestra from Saxony reached the closing stages of their 2 week UK tour they still had some terrific commitment and punch to their sound.

Der 80-jährige Peter Schreier dirigiert in seinem Geburtstagskonzert ein Monumentalwerk - Teil eines Spendenmarathons zur Finanzierung der Orgel im neuen Dresdner Kulturpalast.

The highlight of the Dresden Philharmonic's evening in Birmingham was Mendelssohn's Violin Concerto in E minor, with Arabella Steinbacher's performance a joy to experience. 

Beethoven gets the mock-period treatment from Michael Sanderling and the Dresden Philharmonic in the first of three concerts at Cadogan Hall.

Simone Young and the Dresdner Philharmonie make a formidable partnership. The orchestra play with such a wonderful sound, especially in the wind and brass sections, and the range of colours they conjure is incredible. And Young clearly revels in the orchestra’s technical facility, but still always bringing something extra, and never taking away from what the orchestra can do for themselves.

J.S. Bach didn’t write an opera, but if he had, it’d probably be the best opera in the world. Fortunately for us, he wrote the next best thing, his Mattäus-Passion, a work of such dramatic power, that even in the concert or church settings in which it is usually performed, its highly emotional narrative thread is still captivating.

The regular home of the Dresden Philharmonic, Dresden’s Kulturpalast, is currently being renovated, and as a result the orchestra is taking residence in a number of venues around the city, including the city theatre, and the renowned Frauenkirche. However, the majority of their concerts this season are taking place in the Albertinum, one of Dresden’s many art galleries.

The Dresden Philharmonic brought classy Brahms, Barber and Dvořák to Manchester as part of their UK tour in a forward-looking programme of musical new beginnings. If incisive thrust was occasionally lacking, they more than compensated with elegance all evening.