En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Mihály Kálmándy

Attila Mókus's dramatic baritone was scornful at one moment, tender, distressed, vengeful, or broken in mourning at others, vocal signposts in Rigoletto’s descent into the hell of his own making.

In András Almási-Toth's engaging new production, magnificent orchestral and choral performances let Wagner's music do the talking.

Considered Hungary's national opera, Ferenc Erkel's Bánk bán rarely travels beyond its borders, but is given a rousing performance by the Hungarian State Opera. 

With Gergely Kesselyák on double duty as conductor and director, this revival proves musically outstanding but theatrically less than satisfying.

The National Theatre opens its new season with a Verdi favorite short on substance but lovely to hear.

Klára Kolonits's marvellous Lucia is the only thing brightening the bleak performance of the Hungarian State Opera's new Lucia di Lammermoor.

Underwhelming performances, all too tempestuous conducting and an aesthetically pleasing but puzzling production fail to thrill.

Inadequate production and mixed performances characterize the Hungarian State Opera's new Trovatore.

Known for her powerful interpretations of the blockbuster Italian mezzo roles, the great Hungarian diva Ildikó Komlósi dominates the new production of Aida in Budapest.