En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Garsington Opera Chorus

Garsington Opera's new production of Rossini's comic masterpiece is a bawdy hoot, but humour aside it features an ensemble who provide first-class bel canto singing.

Outstanding singing from a beautifully chosen cast led by Miah Persson and Hanna Hipp. 

The Philharmonia and Garsington Chorus deliver great performances, as do Natalia Tanasii and Fleur Barron as the two Larina sisters.

Peter Mumford's intelligent staging concept and a knockout performance by a reduced Philharmonia Orchestra made this a night to remember.

As a hybrid of brilliance and disappointment, this Don Giovanni is in a class of its own.

Natalya Romaniw is a natural as our maligned heroine: Paul Curran creates staging of bewildering comic complexity and pulls it off with panache.

Bruno Ravella's fast-paced Falstaff for Garsington still has crucial space for pathos amid the comedy, with a notably subtle central performance from Henry Waddington.  

A twist on the usual Enlightenment path, this is an admirable production, excellently executed.

On a golden afternoon on the Wormsley estate, not everything on stage necessarily glittered, but there’s plenty of spirit in Annilese Miskimmon's production to entertain.

Michael Boyd's stylish new production is broadly traditional, apart from beyond-the-grave appearances by Lensky.