All that glitters: Garsington's Semele

Por Mark Pullinger, 02 junio 2017

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“Murray’s beautifully even line accompanied by a blackbird obbligato from the gardens outside”

Crítica hecha desde Garsington Opera, High Wycombe el 1 junio 2017

Handel, Semele

Garsington Opera

Jonathan Cohen, Dirección

Annilese Miskimmon, Dirección de escena

Nicky Shaw, Diseño de escena

Heidi Stober, Semele

David Soar, Somnus, Cadmus

Christopher Ainslie, Athamas

Jurgita Adamonytė, Ino

Robert Murray, Jupiter

Christine Rice, Juno

Llio Evans, Iris

Mikael Onelius, Apollo

Christian Valle, High Priest

The Gascoigne Orchestra

Garsington Opera Chorus

A radically trad Fidelio at Garsington

Peter Quantrill, 27th June

Simple solutions prove the best in Beethoven's "problem" opera as John Cox's staging is revived at Garsington.

****1

Ravishing Rodelinda: Handel al fresco at Garsington Opera

Roy Westbrook, 13th June

Ruth Knight untangles Handel's Rodelinda, directing a new staging at Garsington which features a feast of fine singing.

****1

Three card trick: compelling new Queen of Spades at Garsington

Roy Westbrook, 29th May

Jack Furness directs a terrific new Queen of Spades at Garsington – haunting and harrowing.

****1

Garsington’s L’elisir d’amore: Dr Feelgood wins the day

David Karlin, 28th May

Simon Higlett’s exquisite sets and costumes give a backdrop to Donizetti’s frothiest of rom-coms.

****1

Madcap comedy from Verdi: Un giorno di regno at Garsington

David Karlin, 29th June

Christopher Alden, Chris Hopkins and an excellent cast send us a comic roller coaster ride with Verdi’s ultra-rarely performed second opera.

*****

Garsington Opera's new A Midsummer Night's Dream

Roy Westbrook, 16th June

In the first and last acts, ladies entered with a train still attached to a bolt of cloth, which was then cut to length by an attendant. Was this production brought to the stage in a great hurry, allowing no time for costume fittings?

***11

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

All that glitters: Miskimmon's hyperactive Semele opens Garsington’s season