En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Nadine Benjamin

Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum. 

Margaret Atwood’s dystopic novel, masterfully adapted for the operatic stage, is strongly performed at ENO and rings even truer today than it did when it was written.

Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse. 

Breastplates are back in vogue, but comedy horses and cheap production values undermine the first chapter in English National Opera's new Ring cycle. 

The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.

Verdi and Schiller lose out to Barbora Horáková in a new staging for English National Opera. 

A fascinating new companion piece to Elgar's Enigma Variations, from 14 contemporary composers, in celebration of Martyn Brabbins' 60th birthday, performed with enthusiasm by the BBC Scottish Symphony Orchestra.

Jonathan Miller's production of La bohème is revived by ENO and features an important house debut. 

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one. 

An embarrassingly trite libretto proves unsalvageable, even with a committed cast of singers.

ETO's production of Mozart's nuptial comedy, being performed in towns across the country, lacks depth but has some terrific singing with a particularly fine Susanna from Rachel Redmond.