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Nadine Benjamin (Mimì) and Joshua Blue (Rodolfo) © Lloyd Winters

Undernourished: English National Opera’s Bohème revival lacks red meat

Von Dominic Lowe, 26. September 2024

Sir Jonathan Miller’s production of Puccini’s classic remains powerful, but ENO’s latest revival underwhelms at the Coliseum.

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London

26. Sept. 2024

Undernourished: ENO’s Bohème revival lacks red meat

Von Dominic Lowe

Avery Amereau (Serena Joy) and Kate Lindsey (Offred) © ENO | Zoe Martin

London

Prescient then, terrifying now: The Handmaid’s Tale at English National Opera

Von David Karlin, 1. Februar 2024

Margaret Atwood’s dystopic novel, masterfully adapted for the operatic stage, is strongly performed at ENO and rings even truer today than it did when it was written.

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London

1. Feb. 2024

Prescient then, terrifying now: The Handmaid’s Tale at ENO

Von David Karlin

Kenneth Kellogg (The Father) and Ronald Samm (The Reverend) © Zoe Martin

London

Blue, Jeanine Tesori's new opera on urban violence, comes to ENO

Von Mark Valencia, 20. April 2023

Blue could hardly have been better rendered than here. Indeed, I wish every opera I see could be staged with such grace and finesse.

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London

20. Apr. 2023

Blue, Jeanine Tesori's new opera on urban violence, comes to ENO

Von Mark Valencia

London

Richard Jones’ second London Ring falters at the first fence

Von Mark Pullinger, 19. November 2021

Breastplates are back in vogue, but comedy horses and cheap production values undermine the first chapter in English National Opera's new Ring cycle.

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London

19. Nov. 2021

Richard Jones’ second London Ring falters at the first fence

Von Mark Pullinger

Glasgow

A little touch of magic in Scottish Opera's Hansel and Gretel

Von Simon Thompson, 10. Februar 2021

Clever stage touches and great voices are enough to win over even the stoniest of hearts.

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Glasgow

10. Feb. 2021

A little touch of magic in Scottish Opera's Hansel and Gretel

Von Simon Thompson

London

Royal Opera's A New Dark Age is a powerful cantata for our time

Von Jenny Camilleri, 24. Oktober 2020

The Royal Opera House responds to current global turmoil with a double bill by four women composers. Baritone Peter Brathwaite delivers a tour de force in The Knife of Dawn and A New Dark Age is a powerful emotional journey.

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London

24. Okt. 2020

Royal Opera's A New Dark Age is a powerful cantata for our time

Von Jenny Camilleri

London

Love, intrigue… and black paint-play: Luisa Miller at ENO

Von Mark Pullinger, 12. Februar 2020

Verdi and Schiller lose out to Barbora Horáková in a new staging for English National Opera.

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London

12. Feb. 2020

Love, intrigue… and black paint-play: Luisa Miller at ENO

Von Mark Pullinger

London

Prom 35: Martyn Brabbins celebrates 60th birthday in style

Von Nick Boston, 13. August 2019

A fascinating new companion piece to Elgar's Enigma Variations, from 14 contemporary composers, in celebration of Martyn Brabbins' 60th birthday, performed with enthusiasm by the BBC Scottish Symphony Orchestra.

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London

13. Aug. 2019

Prom 35: Martyn Brabbins celebrates 60th birthday in style

Von Nick Boston

London

A house debut to savour: Natalya Romaniw soars in revival of ENO's Bohème

Von Mark Valencia, 26. November 2018

Jonathan Miller's production of La bohème is revived by ENO and features an important house debut.

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London

26. Nov. 2018

A house debut to savour: Natalya Romaniw in ENO's Bohème

Von Mark Valencia

London

With John Wilson, Gershwin's music is the winner at ENO's Porgy and Bess

Von David Karlin, 11. Oktober 2018

Porgy and Bess isn’t a perfect opera, but English National Opera's new production is a strong one.

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London

11. Okt. 2018

Porgy and Bess at ENO: Gershwin's music the winner

Von David Karlin

London

Mascagni's Isabeau at Opera Holland Park

Von David Karlin, 14. Juli 2018

An embarrassingly trite libretto proves unsalvageable, even with a committed cast of singers.

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London

14. Juli 2018

Mascagni's Isabeau at Opera Holland Park

Von David Karlin

Bromley

A warm, but basic Marriage of Figaro from English Touring Opera

Von Dominic Lowe, 8. Mai 2018

ETO's production of Mozart's nuptial comedy, being performed in towns across the country, lacks depth but has some terrific singing with a particularly fine Susanna from Rachel Redmond.

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Bromley

8. Mai 2018

A warm, but basic Figaro from ETO

Von Dominic Lowe