En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Gianluca Margheri

Ni la de Bizet, ni la de Mérimée: una nueva adaptación se sirve de Carmen para denunciar el acoso a mujeres y menores en redes y fuera de ellas, primando la tecnología sobre el teatro.

Donizetti heads West in Cal McCrystal's riotous, laugh-out-loud L'elisir d’amore, where dazzling singing meets cowboy capers in a gloriously zany production for Irish National Opera. 

In its Royal Opera House debut, Irish National Opera's high-energy Bajazet provides a great evening for Baroque fans and sceptics alike.

A successful new production of the maestro’s opera buffaat the Rossini Opera Festival with a solid cast led by Marina Monzó.  

The young tenor Maxim Mironov, who played the poet Giocondo, was the name on everyone's lips by the end of the show. His voice is a modestly-sized and soft-grained, but it is beautifully produced, and focuses to a laser-like point up top.