En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Daniel Reuss

Ein emotionaler und komplex-kontemplativer Abend mit Werken von Schnittke und Rachmaninow.

L'Orchestre de Chambre de Genève et l'Ensemble Vocal de Lausanne ont donné un diptyque inégal sous la direction de Daniel Reuss, la messe mozartienne paraissant plus adaptée au lieu que celle de Rossini.

Le chef-d'œuvre de Mozart a bénéficié d'une interprétation de toute beauté aux Sommets musicaux de Gstaad, avec l'Ensemble Vocal de Lausanne et l'Orchestre du XVIIIe siècle.

In the final instalment of aus LICHT, the Helicopter String Quartet lives up to the publicity hype and choirs perform marvellous feats.

Die Uraufführung von Sacred Environment von Kate Moore beim Holland Festival will heilige Stätten Australiens in den Konzertsaal bringen. Zuhause darf man dank einer persönlichen VR-Brille das Ganze noch einmal erleben.

Three concerts over one day at the opening weekend of Bachfest Leipzig combined Bach’s music with that of composers from Rachmaninov to Sibelius, but nothing matches the unrivalled bliss of Bach’s own music performed with total conviction.

John Adams and Peter Sellars' biblical oratorio given a fine concert performance by the Berliner Philharmoniker under departing chief conductor, Sir Simon Rattle.

Ruth Mackenzie, Holland Festival’s vivacious and invigorating new director, closed her first edition with a twelve hour Prom, reinventing it as a mini-festival at Amsterdam’s Concertgebouw.

On Good Friday, Cappella Amsterdam, conducted by Daniel Reuss, gave a beautifully refined rendition of Bach's St John Passion at the Muziekgebouw aan 't IJ in Amsterdam, accompanied by the Orchestra of the Eighteenth Century and the riveting Evangelist of Anders Dahlin.

For those who love the additional linguistic dimension offered by a parallel-text programme, this concert was a delight: four items by four composers from two countries – in three languages.The stage of a full Usher Hall lay bare except for 28 shoulder-high music stands, one for each member of the Estonian Philharmonic Chamber Choir and, facing them, one at conductor height for Daniel Reuss.