Edinburgh International Festival: Estonian Philharmonic Chamber Choir

Por Alan Coady, 02 septiembre 2013

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Crítica hecha desde Usher Hall, Edinburgh el 29 agosto 2013

Pärt, Other

Schnittke, Three Sacred Songs

Kreek, Psalm of David 22

Kreek, Psalm of David 104

Kreek, Blessed is the Man

Rajmáninov, Vigilia de toda la noche (Vísperas), Op.37

Estonian Philharmonic Chamber Choir

Daniel Reuss, Dirección

Estonian Festival Orchestra make Carnegie Hall debut with Arvo Pärt

David Wolfson, 23rd October

Paavo Järvi and the Estonian Festival Orchestra don’t skirt all the pitfalls of a single-composer program in an all-Pärt evening at Carnegie Hall.

***11

A meditative Estonian celebration of 90 years of Arvo Pärt

David Smythe, 5th October

The Estonian Philharmonic Chamber Choir and the Tallinn Chamber Orchestra, conducted by Tõnu Kaljuste, present an Arvo Pärt portrait concert in Glasgow.

****1

Un Don Giovanni en PLS pour l’ouverture du Festival d’Aix

Romain Daroles, 4th July

La mise en scène de Robert Icke est une cruelle déception, pas compensée par les qualités de la distribution et de la direction musicale de Simon Rattle.

**111

Musically peerless but battering: Wozzeck in Aix

David Karlin, 7th July

Sir Simon Rattle and the LSO give an orchestral performance to remember, with a fine singing cast, but Simon McBurney's staging dials the bleakness to maximum too early.

***11

Estonian Philharmonic Chamber Choir intrigues in Dublin concert

Andrew Larkin, 16th November

The Estonian Philharmonic Chamber Choir shows poise and elegance in works by fellow Estonians Arvo Pärt and Veljo Tormis.

***11

Un Requiem en lumière pour Kristiina Poska à Bozar

Valentin Gautron Lavarone, 15th February

Des tourments d'Adam aux chemins de la rédemption, l'Estonian Philharmonic Chamber Choir et le Symfonieorkest Vlaanderen ont donné un programme parfois trop lisse mais toujours d'une grande beauté.

***11

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Alan Coady

Alan has taught classical guitar in East Lothian schools since 1982. A graduate in Music of the then Huddersfield Polytechnic, he has a soft spot for the contemporary. He also writes a Musical Blog, where the special interest is the intersection of music/language/science.