En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Helgi Tomasson

The Royal Ballet School students shine at their annual matinée at the Royal Opera House showing exceptional talent and versatility.

The Royal Ballet School deliver a promising mixed programme with some truly exceptional individual performances.

There’s much to love in Helgi Tomasson’s production of Romeo & Juliet, starting with Prokofiev’s sumptuous score.

The ballet’s second act, following Giselle’s death, is set in a spooky, mystical realm, precisely the kind of thing that so intrigued its 19th century audiences and made this ballet an instant classic.

This irresistible Nutcracker is a reliable delight in an increasingly unreliable world.

Swan Lake is the last program of the San Francisco Ballet’s season and of the 37-year tenure of retiring artistic director Helgi Tomasson.

Helgi Tomasson and Yuri Possokhov's restaging of the 1869 Petipa classic brings a sunny smile to faces in San Francisco. 

With Tchaikovsky’s dear, familiar overture, the reassuring sameness of Wendall K Harrington’s slide show projecting 1915 San Francisco scenes onto the curtains, we were all, most decisively, back. 

“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”

In Helgi Tomasson's production, Michael Yeargan’s scenic design and the late Martin Pakledinaz’ sumptuous costumes create a scene so charming, you just want to climb inside and stay in that world all evening and beyond.

In this era that venerates the contemporary, it’s rewarding to see the classics faring so well, and San Francisco Ballet’s Sleeping Beauty is a winner for all.

San Francisco Ballet's Don Quixote is ultimately a winning production with surprising warmth and heart.

Among the standouts at the San Francisco Ballet gala evening performance were Ana Sophia Scheller in Rubies, Sasha De Sola in Études, Benjamin Freemantle in Agon, and Misa Kuranaga and Angelo Greco in Handel-A Celebration.

San Francisco Ballet returns to the War Memorial Opera House with the beloved holiday classic that had its North American debut here.

San Francisco Ballet delivers the distinct and the relevant in a mixed-bill program of choreographic works that includes Ghosts in the Machine.

Watching this ballet, one is offered a glimpse of a past world and aesthetic, beautifully preserved.

Wednesday night at the War Memorial Opera House, San Francisco Ballet’s opening night, offered a deeply comforting, festive return to a sparkling production that never fails to delight.

Changes in pace for a brilliantly dynamic company.

It’s heartening so see that the state of classical ballet is strong and there are many talented young dancers being nurtured to take their places in the top companies of the world.

Tomasson's Land of Snow is a feast for the eyes. Principals Mathilde Froustey and Carlo di Lanno were a gorgeous, impeccable Snow Queen and King in one of the most reliably spectacular sections of this production.

A vast world of movement rose in celebration of the body’s athleticism and its subtle connection to emotions and personality. 

The San Francisco corps de ballet shines as the collective core in Helgi Tomasson's Swan Lake.

San Francisco Ballet's first program of 2016, featuring Forsythe's rarely performed Pas/Parts and the revival of 7 for Eight and Magrittomania, leads the way into an exciting season.

San Francisco Ballet's Nutcracker returns to the War Memorial Opera House, with its festive, distinctively San Francisco rendition of the classic ushering in the holiday season.

San Francisco Ballet's Giselle brought enthusiastic Beijingers out in hordes to see Yuan Yuan Tan in the title role at the National Center for the Performing Arts on Friday night. 

On the second night of San Francisco Ballet’s second visit to Beijing, the company treated their Chinese audience to a varied programme: Tomasson’s Caprice, Wheeldon’s Rush, van Manen’s Variations for Two Couples, and Balanchine’s Theme and Variations.

San Francisco Ballet's Program 7 features Tomasson's Caprice, Balanchine's The Four Temperaments and a new creation, Swimmer, by Yuri Possokhov.

Petipa's 1869 classic receives a splendid treatment in San Francisco Ballet's 2003 restaging of Don Quixote.

Helgi Tomasson's Giselle for San Francisco Ballet makes a powerful feminist statement, despite any reservations which our reviewer may have had about lead casting. Act II is a resounding triumph for the corps de ballet, for leads Maria Kochetkova, Sofiane Sylve, Vitor Luiz, and Pascal Molat, and soloists Sasha De Sola and Dores André.

San Francisco Ballet's Nutcracker delivers the perfect holiday diversion for children and adults alike, in a dazzling rendition you'll savor year after year.

The San Francisco Ballet delivers a memorable Giselle with the finesse and classicism the ballet demands, at San Francisco's War Memorial Opera House.

San Francisco Ballet's Nutcracker delivers world class entertainment and features such stars as Maria Kochetkova, Joan Boada, Vanessa Zahorian, Frances Chung, Jaime Garcia Castilla. A holiday classic with a fresh spin that's a must-see for adults and children alike.

From the moment the curtain went up, there was no doubt that San Francisco Ballet had another evening of fabulous ballet in store for the audience at Sadler’s Wells, many of whom had been there the night before for Programme A.