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Giselle returns in fine form to the San Francisco Ballet

Por Terez Rose, 28 enero 2014
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Crítica hecha desde War Memorial Opera House, San Francisco el 25 enero 2014
Programa
Giselle (Helgi Tomasson)
Intérpretes
San Francisco Ballet
Más críticas de Danza
Royal Ballet School Summer Performance: talent in abundance
Deborah Weiss, 6th July
The Royal Ballet School students shine at their annual matinée at the Royal Opera House showing exceptional talent and versatility.
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Next Generation Festival: Royal Ballet School in fine form
Amanda Jennings, 19th June
The Royal Ballet School deliver a promising mixed programme with some truly exceptional individual performances.
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SFB concludes its 90th season with a stirring Romeo & Juliet
Terez Rose, 21st April
There’s much to love in Helgi Tomasson’s production of Romeo & Juliet, starting with Prokofiev’s sumptuous score.
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San Francisco Ballet enchants with a winning Giselle
Terez Rose, 24th February
The ballet’s second act, following Giselle’s death, is set in a spooky, mystical realm, precisely the kind of thing that so intrigued its 19th century audiences and made this ballet an instant classic.
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An exciting buzz generated for San Francisco's Nutcracker
Terez Rose, 8th December
This irresistible Nutcracker is a reliable delight in an increasingly unreliable world.
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Tomasson bows out from San Francisco Ballet with stirring Swan Lake
Terez Rose, 29th April
Swan Lake is the last program of the San Francisco Ballet’s season and of the 37-year tenure of retiring artistic director Helgi Tomasson.
****1
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Adolphe AdamGiselleHelgi TomassonSan Francisco Ballet
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Terez Rose
Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.