Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Bramwell Tovey

If “the girl with kaleidoscope eyes” were a musician, she might well have composed something like Terry Riley’s 2014 concerto for organ and orchestra, At The Royal Majestic.

Alek Shrader, Judith Forst, and Tracy Dahl dazzle and amuse in Vancouver Symphony's presentation of Bernstein's operetta. 

The New York Philharmonic kicked off 2015 with the music of George Gershwin, led by British conductor Bramwell Tovey and joined by vocalists Norm Lewis and Dianne Reeves.

Violinist James Ehnes and the Vancouver Symphony Orchestra on breathtaking form in an immense, virtuosic programme of Elgar, Respighi, Britten and Berlioz.

A summer season concert at the Blossom Music Center would not be the normal place for The Cleveland Orchestra to give first performances, but through a coincidental oddity of programming, there were two orchestra premières: Samuel Barber’s 1945 Cello Concerto, Op.

Bramwell Tovey, the principal guest conductor of the Los Angeles Philharmonic’s Hollywood Bowl concerts, is no stranger to the venue, though his ability to give a freshly minted polish to everything he conducts makes his appearances seem all too infrequent.His musicianship is subtle, but the results can be eye-opening – and they’re always deeply satisfying.

Gripped in the clutches of a persistent heatwave, music-loving Angelenos had a difficult choice to make last Thursday. Stay bunkered down in their air-conditioned homes. Or defy the sweltering heat and choking traffic to make the trip to the Hollywood Hills for the Los Angeles Philharmonic’s last Hollywood Bowl concert of 2012.

The Hollywood Bowl’s annual “Tchaikovsky Spectacular with Fireworks” has become, along with Labor Day, something of a marker denoting the unofficial end of summer in Los Angeles. When bidding farewell to summer, one may as well do so with a bang—in this case both figuratively and literally. Tchaikovsky. Fireworks.

The moment I walked into the Avery Fisher Hall on Monday night, a pervasive air of festivity was palpable – the players in the orchestra wore white jackets, lighting was colourful and the audience was chatty.

Friday evening’s concert in Sydney was one of the most entertaining concerts I have been to in a long time. The concert was entitled A Gershwin Tribute, but might just as well have been called A Gershwin Celebration, or perhaps evening A Gershwin Party. The Sydney Symphony Orchestra was on sparkling form under British guest conductor and pianist Bramwell Tovey.

Once upon a time it was standard practice that most public concerts in Britain would be preceded by the National Anthem; last night in Huddersfield Town Hall a great many members of the audience were caught off guard when a brass and percussion fanfare struck up into the loudest, most ecstatic rendition of ‘God Save the Queen’ I have ever heard.