En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Alina Cojocaru

London City Ballet make a big impression with a program of contrasting ballets. One hopes they might expand into a bigger company, but for now, this is a small chamber company worth following.

Another tick for the Ballet Nights team, the audience at Cadogan Hall enjoying a varied and exceptional programme of new and legacy works.

Some of Russell Maliphant's best known, most enduring and loved works in an evening of unforgettable performances.

Christopher Marney has once again brought together a group of outstanding dancers, superb coaches and brilliant choreography to produce an evening of thoroughly absorbing dance.

Having premiered at Sadler’s Wells just over a year ago, Alina Cojocaru and her production company, AC Workroom, have since enjoyed touring international venues, now visiting a packed Opernhaus in Bonn.

London City Ballet return in a new incarnation at Sadler's Wells, promising a great future.

A brave attempt to turn Fellini's masterpiece into dance theatre. 

In the 48th Nijinsky Gala of his 50-year tenure, John Neumeier curated a well-balanced and thrilling evening of dance with a most impressive roster of dancers.

Their artistry was something that is rarely seen and is a great gift to us all.

The 47th Nijinsky Gala in Hamburg celebrates the art of dance, the creativity of great choreographers and a totally committed company, while not forgetting what is happening not so far from our theatres.

An enchanting programme of music, film and dance in material moved by the spirit of a great performer.

Jurgita Dronina impresses as the heroine in this matinee performance of Sir Kenneth MacMillan's ballet at the Coliseum. 

A performance that overflows with rich detailing in every role

A dutiful revival of Sir Kenneth MacMillan’s Sleeping Beauty from English National Ballet.

Forsythe’s choreography allows ENB's male corps to display their virtuoso skill in its mixed programme at Sadler's Wells.

A first-class, five-star evening made even more exceptional by the extra gift of Cojocaru’s masterclass

English National Ballet scores another triumph with Akram Khan's darkly reimagined interpretation of the greatest of all Romantic ballets.

The highlight of Hamburg Ballet’s tour in Japan was the gala The World of John Neumeier. It was rather a full length piece following the life and career of Neumeier with his major works performed seamlessly, accompanied by his own narration

Internationally-renowned dancers perform a diverse range of choreography for the Russian Ballet Icons Gala's tenth anniversary.

English National Ballet’s Nutcracker: a subdued but promising opening of the Christmas season, at the London Coliseum. 

Alina Cojocaru Dream Project 2014 brings together in Tokyo international artist from the Royal Ballet, Dutch National Ballet and the National Opera of Bucharest. An intimate evening with Alina Cojocaru and some of the best dancers on the world's stages.

Last Friday, The Royal Ballet presented an exciting bill composed of George Balanchine’s iconic Apollo (1928) and two new ballets by acclaimed choreographers Alexei Ratmansky and Christopher Wheeldon. The programme was cleverly designed, since Ratmansky and Wheeldon are renowned explorers of the neoclassical style inaugurated by Balanchine.

The chill outside was certainly a reminder of Siberian weather, but the anticipation of seeing one of the 20th century’s most popular and beloved dramatic ballets (and set in a milder Russia!) soon had the fingers and toes circulating once more.

This Royal Ballet programme, staged to celebrate the Diamond Jubilee of HM Queen Elizabeth II, makes an exhilarating tribute, and shows the company on top form in two very different works.

Not so many moons ago, opening night at the Opera House meant dressing up—dinner jackets, long dresses and furs, with of course, the obligatory embellishment of the family jewels. Alas, jeans, shirtsleeves and sneakers are all too often seen these days, so glamour and style must stem from the stage outwards into the auditorium.